Tag Archives: community

Moreland and Art

Moreland Summer Show, the last show in this year’s season of exhibitions at the Counihan Gallery is an exhibition of 40 artists who live and work in Moreland. Don’t fear the community art show; there is no bad café art in this exhibition. None of the art is so terrible that it never should have been exhibited. Most of the works are in traditional media, oils, acrylics, photography, etc. Charlotte Watson’s hard edge abstraction Sans Two in cutaway layers coloured wax showed that innovation in media is not absent. Elwyn Murray used the Oxford English dictionary’s new word of the year #selfie for a backlight outline of a figure taking a selfie on their cell phone etched on mirror; a motion sensor switched off the light showing the viewer their own image. Julian Di Martino had a painting and reference sheet tallying various types of people, 2013 with references. One albino a summer does not make; as the Surrealist proverb goes.

Julian Di Martino, 2013 with references with Julian Di Martino in front making a reference.

Julian Di Martino, 2013 with references with Julian Di Martino in front making a reference.

Good ideas; I mean that, but nothing exceptional in the final analysis but I don’t want to write a boring blog post reviewing the Summer Show piece by piece. That’s not the point of the exhibition. This is not a display of talent/contest demonstrating the glory of Moreland’s artists. This is not about the being biggest, the best or the most innovative.

If we want to get into hyperbole… the opening of Summer Show on Thursday night was one of the most important cultural events in the northern suburbs this month, maybe even this spring. The arts in the northern suburbs art are saving it from becoming a post-industrial wasteland zombie dormitory. As I’ve said it thousands of times (quoting Gregor Muir) – artists are the storm troopers of real estate in transforming urban areas.

There were plenty of artists at the opening meeting up, not just artists in the show, lots of local artists, all networking, catching-up, and general chitchat talking. People kept on starting friendly conversations with strangers asking: “Are you one of the artists?” This is important; it makes the local art world go round.

I was working the room too; glass of red in one hand, pen and gallery list in another. Julian Di Martino was laughing telling me: “The theme of current tendencies is one of the broadest themes for a group show that I’ve seen in a long time.” I talk to the curator, Victor Griss; check that I’ve spelt his name right because I want to give him credit for a good exhibition hanging given the diverse variety of artists and styles.

Where did Benjamin Sheppard go? He was just talking to someone in front of his drawing. I wanted to talk to him because I’ve already written about a hundred words written about his last solo exhibition at the Counihan before I ran out of steam. His very large drawings with multi coloured biros on paper are a great take on ideas about high and low art; the whole idea of illustration and of art media and non-art media, that sort of thing.

See you the same time next year.


First of the Summer Shows

A community art exhibition doesn’t sound promising but this is an exception. The artistic strength of Moreland is such that it has residents like Sam Leach, the winner of 2010 Archibald and Wynne Prizes exhibiting. And Sam Leach’s two paintings were not the strongest works in the Moreland Summer Show, an exhibition of art by City of Moreland residents (Brunswick, Coburg and Fawkner) at the Counihan Gallery in Brunswick.

Located in the gallery’s vitrine Tony Adams’s installation of foraged natural materials, Circular Insect Hotel was impressively assembled in a neat circular architectural form. Ryan Lesley Cockburn’s Revolution series was outstanding; Cockburn cuts vinyl records into a variation of a zoetrope complete with a little torch to shine the rotating shadows on the wall. Tsvia Aran-Shapir’s biomorphic sculpture was beautiful and surreal especially with its black powder coating. Keith O’Donnells installation of 20 1:48 scale green W-class trams ran part of the length of the gallery. Peter Hannafford’s hand-cranked rotating mixed media sculpture of Australian politics going round and round was very popular. I have to mention Gabrielle Baker’s 66cm diameter pompom – a very large pompom. And Paul Toms’s elegant interpretation of the theme in a triptych using coffee on paper was simple and beautiful.

With 40 artists exhibiting the theme of the circle provided some unity amongst the diverse collection of works from paintings, prints, videos to hand-blown glass.

There was a huge turn out for the exhibition opening on a wonderful warm spring evening. And with all the local artists involved it is not surprising. Lots of people for me to say hello to – artists that I’ve previously written about in this blog, Alister Karl, Julian Di Martino, Liz Walker and Carmen Reid (who wasn’t exhibit but serving drinks at the bar). It was so crowded at the opening that someone stepped on one of Ria Green’s circle of crystalline shapes (woodgrain print, balsa wood, tape, paper).

The show replaces Moreland’s annual Women’s Salon (that I have both reported on and urged to abandon as redundant). Julian Di Martino said that it was the first chance that he has had to exhibit in the gallery since it opened in December 1999. Providing an annual exhibition where all residents, regardless of gender, can exhibit will give more of a focus to the strong artistic community in the area. This is community exhibition that is worth seeing for its strength and diversity.


Follow

Get every new post delivered to your Inbox.

Join 1,085 other followers

%d bloggers like this: