I’m back from a holiday in Korea where I saw some awesome art and met some warm generous artists. I was also impressed with Korea’s public sculptures, urban design and the public toilets are the best in the world.
When I travel I like to visit art galleries, from the major official art galleries to what smaller galleries I can find; I try to avoid the tourist focused commercial galleries. I try to find some street art but that’s not always that easy because it is generally not in the guidebooks. Along the way I see historic buildings, public sculptures, travel on public transport and eat at local food at local restaurants but seeing art is my primary objective. I have written so many blog posts about art tourism that I have now created a separate category for them. Maybe I should write a book about them; I haven’t been finding Lonely Planet that useful a guidebook when it comes to this side of travel.
Seoul does contain two of the top 20 museums in the world (based on visitor numbers) the National Museum of Korea (Seoul) with 3,1289,550 visitors last year is in 12th place (according to Art Newspaper’s annual museum attendance figures for 2012) and in 15th place the National Folk Museum of Korea (Seoul) with 2,640,264 visitors. (Melbourne’s NGV was in 25th place with 1,571,333 visitors.)
I didn’t know much about Korean art before my trip; I was vaguely aware that Korea was promoting itself as a centre of contemporary art. But the only Korean artists I knew was Nam June Paik and Lee Bul. Nam June Paik was the man who cut off John Cage’s tie and who did video installations before it was commonplace. Lee Bul who makes white contemporary space-age alien kind of sculptures that hang.
Before I left I tried to familiarize myself with the Korean art scene by reading Seoul Art Fiend! Earlier this year I walked in to Doosan Gallery in NYC Chelsea gallery district (See my post Black Mark in Chelsea). It was certainly distinctive as a not-for-profit space amongst all the commercial galleries. I wasn’t sure about the art on exhibition it was very neutral and very studied.
I saw a lot art, ancient, modern and contemporary as Korea does have some great galleries and museums large and small. There are many contemporary public sculptures in the streets of Seoul of varying quality and there is a small graffiti and street art scene in Korea. More blog posts to follow about Korea when I have copied my notes and read more of the literature that I brought back. (Not Gangnam Style – Korean Street Art, Seoul’s Big Art Museums, Wandering Seoul’s Galleries and Wandering Seoul’s II.)
I particularly liked the use of Claes Oldenburg and Coosje van Bruggen sculpture that marked the start of the urban redesign masterpiece of Seoul, the Cheonggyecheon. The stream side walk is such a relaxing place to be but just a few steps away from the centre of Seoul and it goes on for kilometres. It is like the reverse of Boston’s new park, a great reinvention of an urban space, a raised hight way demolished to recreate the urban space.
Korean folk art has a lot going for it too – could these be the new tikki?
Aside from all the art, the buildings, the food and the hard mattresses my strongest impression of Korea is of the excellent public toilets that are there where you need them. I am not just talking clean and functional but automatic motion detector lights and music. And there is always access for the disabled. The public toilets in the streets and parks were well design and not simple utilitarian constructions. Korean public toilets are the paradigm for public toilets and made my trip so comfortable.