L’Oréal Melbourne Fashion Festival Cultural Program – Material Culture – Counihan Gallery – Fashion Loves Art Loves Fashion – Sophie Gannon Gallery
Spinner at the opening of Material Culture
All the exhibitors in “Material Culture” at the Counihan Gallery are RMIT Textile Design alumni. The hanging of “Material Culture” is exceptionally well done; the exhibition looks exciting from the women spinning on the podium outside before the opening, to John Brooks “The object in flux II” hanging from the ceiling in the foyer, to Gina Gascoigne “Siphonomore” made from optical fibre and light, the exhibition enticed the visitor in. At the far end of the gallery, Plush! had set up their workshop with mannequins, loom and sewing machine with their paper patterns and yarn hanging on the wall. 785cm of Kim McKechnie’s linen and cotton “Memory Cloth (Notes from my Grandmother)” hung in a great curve. In the online information Carmila Stirling wondered if her delicate hemp and cotton piece would survive being pinned to a wall but it did and looks fantastic. Really, the curatorial team should be congratulated. The macabre skeletal knitted wool one-piece bathing suit by Michelle Browne “La vie, la Mort” really appealed to my taste.
Michelle Browne “La vie, la Mort”, knitted wool, 2012
Opening of"Fashion Loves Art Loves Fashion" at Sophie Gannon Gallery
The best parts “Fashion Loves Art Loves Fashion” at the Sophie Gannon Gallery are the collaborations between the artists and the fashion label, the reason for the exhibition. Del Kathryn Barton and Romance Was Born created a quilt with painted figures by Barton and material that Romance Was Born use in a very long dress that is also on exhibition. Lucas Grogan and Rittenhouse also have an impressive collaboration with clothes made Grogan’s distinctive blue and white patterns. Grogan is also exhibiting a large embroidery, “Welcome Home Babe” 2011. Julia Devila and Material By Product also have a harmonious collaboration with surreal gothic style. John Nichoson and Josh Goot take 70s heels to a new level exploring the post minimalist possibilities of coloured Perspex heels.
There are some less impressive collaborations in the exhibition. Two large photographs by Nan Goldin derelict sheik style from a series with American model Erin Wasson are used in publication by Scanlan & Theodore. Rittenhouse used Gemma Smith’s curves in fabric for a little black dress. And Something Else used digital remixes of Ken Done coral reef paintings in their fabric print.
I’m looking forward to seeing more of the LMFF Cultural Program. Vetti has photos of the LMFF Windows By Design at David Jones (part of the LMFF Cultural Program).
I had to go to East Richmond on Friday to check the Sweet Streets PO box (formerly the Melbourne Stencil Festival but it is much more than just stencil art now). The snail mail PO box is necessary for legal and administrative reasons but we don’t get much mail.
While I was in East Richmond I had a look at the galleries on Albert St. There are always a lot to see at the Albert Street galleries. I saw “Five Ringed Circus” by photojournalist, Michael Coyne at Anita Traverso Gallery. “Five Ringed Circus” is a series of portraits marking the 10-year anniversary of the Sydney Olympics. Jenny Port Gallery was showing “Pressing Matters – Melbourne printmaking”. This group exhibition has a variety of printing techniques by a variety of Melbourne artists. The standout works of the show were the lycanthropy inspired reduction linocuts by Jazmina Cinnas. At John Buckley Gallery there were exhibitions by Hilarie Mais and Hamish Carr but the post-minimalist optical effects that both artists were engaged in really didn’t grabbed my attention.
On Friday were several people in Sophie Gannon Gallery, more than I’ve seen in there before during the day. I haven’t reviewed Sophie Gannon Gallery in the past as it has always appears to have exhibitions of their stock rather than exhibitions of individual artists (I don’t often write about their exhibitions as reviewing stock exhibitions is uninspiring). I always enjoy seeing the latest Michael Zavros painting in this gallery, it is fantasy art for those who like good contemporary painting. This time I managed to see the second last day of a fantastic exhibition, Nightmare’s Plutonian Shore by Julia de Ville. Read the reviews of the exhibition by Marcus Bunyan, Melbourne Jeweler and many others. I should add that there was also work by sculptor Aly Aitken in the exhibition that fitted into the macabre taxidermy theme (I last reviewed her exhibition at Platform in October 2009).
There have been some changes amongst the Albert Street galleries, in Richmond. It is a change in commercial gallery practice that has become common in Melbourne – the separate stock room exhibition space. Normally gallery stock rooms are just that a room of stock; perhaps equipped with hanging racks or with paintings stacked against the walls. Now stock rooms have become exhibition spaces. There is the new JBG1 at #1 Albert St., a space formerly occupied by Alison Kelly Gallery that specialized in aboriginal art. Open stock rooms are becoming common in Melbourne’s commercial galleries; JBG1 is much smaller than the Australia Gallery stock room in Derby St. Collingwood. Karen Woodbury Gallery has a stockroom upstairs with a relaxed sitting room atmosphere, an alternative to their white cube gallery space. Shifted Gallery and Studios, the one artist run initiative on the block also appears to have closed. On the subject of changes to galleries, there is now a gallery within a gallery at Jenny Port Gallery, with the back gallery now called Ladner & Fell Gallery.