There are two recent public sculptures with botanical references: Fruition, 2013 by Matthew Harding and Moment, 2013 by Damien Vicks where the geometry of botany lends itself to contemporary sculpture.
The two giant seed pods creates a landmark for the corner of Flemington Road and Elliot Avenue are Matthew Harding’s Fruition. The sculptures mediate between the nature of Royal Park, the largest of Melbourne’s inner city parks and the artificial world of the roads and traffic. Royal Park is and has, up until last year, been bereft of any public sculpture. They are huge, with an axis length 6.5m and 4.2m, even when seen from the road, where most people will see this sculpture, they are larger than most trucks. Made of corten steel, a favourite of sculptors and designers because it quickly develops an outer patina of rust that protects the steel from further oxidation.
Harding studied at the Canberra School of Art and is a regular exhibitor at the Fringe Festival Furniture, Sydney’s Workshopped, McClelland National Sculpture Survey, Sculpture by the Sea and the Helen Lempriere National Sculpture Award. Fruition is not the only public sculpture by Matthew Harding in Melbourne, there is his Mercury Rising, 2008 series of seats in the city, commissioned by Colonial First State. The three cast mirror polished stainless steel forms with inset stainless steel contour banding in the pavement. The contour banding and the title refer to climate change.
Damien Vicks, Moment was installed in 2013 at Guild Apartments, Sturt Street in Southbank. Moment is the beautiful flower in the buttonhole of the building. Few buildings are designed with a crest, aside from a corporate logo. This is Vick’s first public commission; in 2011 he won both the Association of Sculptors of Victoria Annual Exhibition and the Melbourne Flower and Garden Show Sculpture exhibition. Vicks has also been a regular exhibitor at Toorak Village sculpture competition.
The number of sculptures in greater Melbourne continues to grow at an increasing rate. There is also William Eicholtz’s sculpture Courage in Fitzroy and the Steampunk sculptures in the city. These are some recent public sculpture in Melbourne that I haven’t mentioned in my up coming book, Melbourne’s Sculptures, due for release in April 2015. They have all been installed while I’ve been concentrating on writing the history, not that this is a problem because it is a history and not a survey of the sculptures.