A few of Monash’s artists

I saw some exhibitions by artists with connections to Monash University this week.

In the Sample case in Campbell Arcade is Lucy Berglund sculpture Mother/Lover/Other. Lucy Berglund is currently completing a Bachelor of Fine Art at Monash. Found basalt block of stone, familiar to all inhabitants of Melbourne as ‘bluestone’, wrapped, tied and taped. The tradition of wrapped objects goes back to Man Ray and the Surrealists, through Christo, and Berglund has little nothing new with the idea. However, the stone blocks wrapped in blanket material, nylon stockings, or bound with rope do have a primitive minimalist sculptural quality.

There are former post-graduate Monash Art and Design students exhibiting in a group show at Shifted, a new gallery and studio space on Albert St. The artists are exhibiting work in a variety of media: sculpture, painting, drawing and video art. The theme of the exhibition deals with the body in space but, like the media, there is no uniform method or ideology evident amongst the artists.

One of the exhibiting artists is Michael Brennan, who was once a member of 69 Smith St. proving that in this case an artist-run space can be the step to commercial gallery representation. I instantly recognized Brennan’s vertiginous perspective and surface of wrinkly dried paint. His current painting is less realistic, more urban and more thought provoking than the earlier paintings that I have seen.

This is just a brief sample of Monash fine arts students currently exhibiting in Melbourne. This small entry is my little celebration of Monash University’s 50th anniversary. I am a Monash alumni but that hasn’t influenced my critical judgment, as I never studied Fine Arts or Design at Monash University and have no connection with that department. When I studied at Monash University there was only one campus, at Clayton, and no Fine Arts department.

About Mark Holsworth

Writer, independent researcher and artist, Mark Holsworth is the author of the book Sculptures of Melbourne. View all posts by Mark Holsworth

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