“Chocolate box art” is another way of saying a schmaltz painting; the decoration biscuit tins and tea tins used by Anna Davern have a similar aesthetic quality. However, Anna Davern tin collages at Craft Victoria are not just an exercise in playing with kitsch aesthetics. Combining the exaggerated sentimentality of images of England and Australia emphasizes their disconnection. Davern creates absurd, surreal images with humor and fun commenting on a post-colonial Australia. The images of England are as alien as the images of Beefeaters in Australian landscapes.
The Buena Vista of the title, the beautiful view is watched over by absent aboriginals. The silhouette or cutout and therefore absent figures of aborigines watching the scene remind the viewer of the genocidal practices of colonization. The indigenous people are removed or disconnected from the scene. The silhouette figures and the reworking of traditional media with post-colonial themes that Davern uses is similar to the art of Nusra Latif Qureshi.
Davern asks in some of the pieces what if Australia had colonized England? Would there be platypus swimming in the Thames and aborigines in English flower gardens? The Beefeater wearing a Ned Kelly helmet is another of the strong images from this show.
The Anglophile obsessions with the ‘mother country’, England are illustrated in these old biscuit tin lids. It is an obsession that still influences Australian politics. This week Tony Abbott MP has chosen to highlight in criticizing the draft national history curriculum prepared by Dr John Hirst, of La Trobe University for not being focused on England. (The Age 16/10/08) So Davern’s exhibition is a timely, expanding our view of the current ‘history wars’ in Australia. Davern has not simply jumped on this topical issue but has been developing it in her craft/jewellery making practice for several years.
Australia needs more intelligent craft like that of Anna Davern that explores and plays with national identity rather than producing props for nationalists.