Katie Lee, Bridie Lunney and Harriet Turnbull, Making Sense, Bus Gallery
Katie Lee, Bridie Lunney and Harriet Turnbull are involved in artist-run-initiatives; between them they have exhibited at most of them in Melbourne. Katie Lee and Harriet Turnbull are both on the committee of Conical Inc. another of Melbourne’s artist-run-initiatives. The “artist-run culture” as described in Conical’s website is an aesthetic preserve mostly for post-graduate fine arts students. Artist-run-spaces are not a culture, perhaps a sub-culture, but I doubt that it is even that, more of a clique, a circle or set of people aware of contemporary art.
As I moved around the exhibition I thought about what the exhibition could mean. The relationship between an artist’s practice and exercise; the logistics, movement, the exercise of mounting a contemporary exhibition like this compared to other kinds of movements. Making Sense is definitely contemporary art following the now academic history of contemporary sculpture from 1960s on. Bridie Lunney’s use of the artist’s body as a sculptural medium and Katie Lee’s deconstructing of the art gallery are serious features of contemporary art. I was then given the artists statement and had a second look at the exhibition.
Climbing around the gallery and finding the connections in the artists activity could have been fun. Katie Lee’s taking the gallery apart; cut a hole in the wall to show the space behind the ubiquitous white gallery wall. Climbing over the obstructive white plinths piled up in the doorway to the third gallery. However, any sense of play and fun is negated by the Spartan space and the neutral colors. And although this is a serious exhibition ultimately it appears as pointless as hoping on one foot on a spot, a motion that is repeated in the exhibitions videos.
Why bother replicating some types of interactions (unsuccessful collaboration, unstable interactions) in the world? It is not much of an end in itself. Especially if it “soon degrades into something that whilst resembling its origin, begins to make a lot less sense.” (Making Sense artists’ statement). Interacting with the exhibition is disappointing because in the end because Making Sense does not make sense, nonsense or fantasy, it just makes contemporary art.