“Advance/Retreat” is an exhibition at Westspace curated by Brad Haylock and Mark Richardson. “Three experiments in transdisciplinary collaboration” occupy Westspace’s three gallery spaces.
In the middle of the first space, shut off by a chain-link steel gate, a large plant sits in a garbage bag a single root trailing to an empty glass.
The next space subtly vibrates both visually and aurally with fishing-line running in almost invisible vertical stripes across the white walls. (Coincidently my father used a similar arrangement of fishing-line to trap bats in order to study their homing abilities.) This is accompanied by an elegant video of male and female hands collaborating to string the fishing-line. And a sound piece that all worked together in a successful harmony.
The final space contains a scatter style installation by so many artists that it would be hard to imagine them all working together in the small space. “Working space” is a reference to the title of a book by Frank Stella.
“Advance/Retreat”is about lines: minimalist lines, vibrating lines, and dividing lines. Lines area major component of art, from visual lines to written lines, but that does not make them interesting. Lines might be essential for art but I don’t suspect that good art is about the essentials. Searching for creativity in artist-run-initiatives appears to be endless exercises rather than new experiments.
I don’t know if the number of collaborating curators, artists and designers (15+) added to the quality of this small exhibition. I can see the strategic advantage to the collaboration. Collaborations like this allow the artists to record more exhibitions on their CV and spread themselves thinner. However, collaboration should not be a goal in and of itself as it is simply a means of working.