“The fact is that it is in eroticism – and doubtless in eroticism alone – that the organic bond, increasingly lacking in art today, has to be established between showman and spectator by means of perturbation.” A. Breton, 1959
“Neuropsychosis’, an exhibition of oil paintings by artist and illustrator Karl Persson at 696, explores eroticism with dark visions of S&M, bondage and mutilation, along with a couple of truly surreal visions. In his ‘Shiny Chicken’ a raw chicken is morphed into a toothy grinning fleshy orifice is a surreal study of castration anxiety. Another of Persson’s erotic surreal images is that erect penis nipples enjoying sadistic polymorphic arousal.
The surreal eye of the Marquis de Sade shapes Persson’s goth imagination. It brooks no idealism; it is a materialistic world where happiness lies in the imagination.
Persson’s images are disturbing in that they are private, there is only one implied spectator viewing the subject, the other isolated body. The bound figures twist in the baroque empty darkness. These are alienated lonely isolated visions where all interactions are bound in an S&M relationship. Persson’s self portrait shows the artist struggling to remove the mask of his image from himself.
The many threads depicted in Persson’s paintings are a figurative painter’s bondage theme. The thread is tied tight to the victim just as the painter is tied to the lines being painted. Concentration focused on a single line that separates one area from another and bound to painting it over and over again until the fully realized image appears. For there is bondage and masochism in creating such beautiful, meticulous and technically excellent works in oils on canvas.
696 back gallery room has been transformed for this exhibition. A Turkish carpet lies on the floor. The paintings are hung in dark old rococo style frames on a grey band of paint on the gallery wall. The grey walls bring out the colors in the paintings and the usual sterile white gallery walls would be totally inappropriate for Persson’s style.