The VCA School of Art Graduate Exhibition 2009 is huge. Space after space filled with art: video installations, sculpture, paintings, drawings, printmaking, installations and things that defied classification, but were called “spatial practice” on the invite. If you are going to see this exhibition, and it is worth seeing, then give yourself over an hour to see it all. It is at the Margaret Lawrence Gallery (named after the Margaret Lawrence Bequest who supported the exhibition); which is all of the studio and workshop spaces at the VCA turned into a gallery.
The entrance is at 40 Dodds St., Southbank, it looked like there was a cue to get in when I arrived shortly after 6pm. It must have been the biggest thing happening in Melbourne’s art scene on that a mild Monday night. There were two long bars in the courtyard with a DJ and hundreds of people. Free wine or buy Mountain Goat beer (a strange kind of sponsorship). Young men with haircuts from 80s new wave bands, fashionably dressed young women, the artists, their parents, their friends, etc. There were thousands of people at the opening doing the gallery shuffle and demonstrating their “spatial practice” by not bumping into people after a few glasses of free wine.
Carmen Reid had sent me an invite to the exhibition (I wrote about her June exhibition at Brunswick Arts ) and I was pleased that I could find her exhibits. Her latest works continue to be enjoyable, the accordion doors “(Fidget) Neither Here Nor There” is like Looney Toons architecture made real. Unfortunately I did not get to talk to Carmen – I think that she was cleaning up broken bits of glass from her work “Limbo” that had been damaged by crowds of people.
Seeing the opening was like stumbling into an art fair, overpowering and diluted at the same time. It was hard to take in all the art because:
a) there were so many people at the opening
b) there were so many works of art (the invitation said over 1,000 works and I believe it).
c) there were so much variety of quality art
The list of “School of Art Awards” ran to two sheets of paper – not that there was any information about the various awards beside the award-winning work.
All the current contemporary art moves are on show, the heat from lights, video projectors, art stirring up dust, plants trying to survive an art installation and visual puns from desperate art students. Although there is likely to be one or two very successful artists amongst this year’s graduating class. This doesn’t mean that they are doing great work now or that all the work in this exhibition is great. Much of the art is going down the plughole. Clare Scalan was painting studio plugholes prognosticating a future for so much paint and artist’s careers. I overheard someone in the crowd saying: “90% of video artists are rubbish.” It is probably true of all the arts graduates.
Still there is plenty of art to enjoy at this exhibition; I liked Graham Brindely’s sculptures. They are elegant, they are like physics experiments and drawing in 3 dimensions. In Brindely’s “Gravities” a plumb bob hangs over a circular pile of black sand.