Censorship

“The State does not permit me to use my thoughts to their full value and communicate them to other men… unless they are its own… Otherwise it shuts me up.” – Max Stirner

Censorship is religious, arbitrary and undemocratic; it is therefore a clear injustice to enforce censorship. However, Australian politicians love censorship; they censor the internet, publications, movies, television, political speech, video games, visual arts exhibitions and anything else they want to. The Australian constitution is weak and does not guarantee basic human rights or democracy. To understand the farce that is called “democracy” in Australia see the case of Albert Langer, one of Australia’s many political prisoners.

Censorship is a type of magico-religious thinking; it is the belief that if you remove the words, signs or symbol then you will hinder the thing itself. Not surprisingly censorship is often employed to support religious beliefs or prejudices. The imposition of a magical-religious view on the public by the government is a breach of the public’s right to freedom of religious beliefs and practices. There is no evidence that censorship does any good but there is lots of evidence to indicate that it does a lot of harm; see Marjorie Heins, Not In Front of the Children, “Indecency,” Censorship, and the Innocence of Youth, (New York, 2001).  People who support censorship are willing to harm people for their faith.

There is no logic to censorship – it is an arbitrary act depending on time, place, the person, their history, their language, the media of communications, popular interpretations of religious traditions in the society and the mood of the politicians. It is impossible to definitively determine what will and what will not be censored, making the law arbitrary. Dziga Vertov, “Man with a Movie Camera” is G rated by the Australian Office of Film and Literature Classification but contains footage of topless young women on a Russian beach. Show it on children’s television and there would be an uproar in Australia, as happened when breastfeeding mammals, including a human mother and child, were shown. To draw any conclusions about the reasons for individual cases of censorship is to assume that they are not arbitrary and there is some logic to censorship. If you want to have censorship you can either be arbitrary and unfair you can be fair and look ridiculous.

Censorship is anti-democratic in that not all citizens have equal access to information. Any system of censorship proposes special categories of elite citizens and that certain people due to academic or legal qualifications or motherhood, or gender etc. are able to look at material unavailable to other citizens. The class issues at the centre of the legal battle over censorship of Lady Chatterley’s Lover makes this point clear. When I was a post-graduate student at LaTrobe University I took advantage of this loophole in the law and read a few of the restricted books in their collection even though they had nothing to do with my thesis research. If you really believe that some citizens have special qualities that makes their judgement better than others then why allow those others to vote?

Censorship, official or unofficial, is so acceptable in Australia that it is believed to be more important than copyright. To alter an artist’s work without permission, including the covering up parts, is a violation of copyright and the moral rights of the artist. However, these censors care nothing for the moral or legal rights of the artist because they think that censorship is better than all of that. Why respect the opinions of people who do not respect your opinion?

Censorship is the exercise of power by one group over another group to deny them the power of expression. It is religious, arbitrary and undemocratic and people who support censorship should be castigated as dangerous fools and nobody should vote for them.

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About Mark Holsworth

Writer and artist Mark Holsworth is the author of two books, The Picasso Ransom and Sculptures of Melbourne. View all posts by Mark Holsworth

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