Sweet Streets is all over now for another year. Week 2 was the final week of the Sweet Streets, a festival of urban and street art; not that my work as secretary is done, there is still the AGM to organize and clean up of the venues to complete. I also have to finish putting my notes from the festival’s artist’s forum together into a coherent blog entry.
I was feeling a bit burnt out from all the festivals, not just Sweet Streets but also the Melbourne Festival, the Fringe Festival and life. There is so much packed into Melbourne’s calendar in October, the only time available after the football season and before the end of year silly season. So I took a walk in the spring sunshine around the Fitzroy portion of the artist’s trail. I hadn’t thought about the therapeutic value of this walk until I was contacted by an Occupational Therapist at the Alfred, who wanted to take a group of clients on the walk. Walking is very good exercise and having a reason to be observant on a walk also feels good. I was vaguely hoping that I might meet up with Judy Baxt who was going to be working on her yarn bombing part of the trail and to talk about yarn bombing with her. I must catch up with her another time.
I didn’t make it to the opening of the Collingwood Underground part of the festival. Sweet Streets (and the Melbourne Stencil Festival in previous years) is one of the few arts festivals to actually produce art and not just present it. The artists in the festival collaborate to produce works that are auctioned off at the end of the festival. The Collingwood Underground, a disused carpark, provides the space for the collaboration and interaction between the participating artists, as well as, workshops for the public. Some of the work in the underground was documented on a video by one of the artists, Danny.
I’m not the only one who is worn out. The unofficial star of the festival has been Daniel (aka Junky Projects). He has been everywhere – running workshops, drinking at openings, talking at the forum, and wearing a variety of outrageous sunglasses and clothes. Look at a set of photos of the festival and there he is larger than life. There have been rumours on the street that Junky Projects is a female heroin addict. They are not true – he is a large man with red hair and beard. However, he was too sick with a cold to be the auctioneer for the annual charity auction at the end of the festival, so Phil Hall, the artistic director, stepped in to fill the gap.
Are they selling the walls now?
The objective of the charity auction was to “raise money for the future of Sweet Streets as well as the Collingwood Housing Estate Arts Community, and Anglicare Victoria – our chosen charities” (quoting the festival website). Most of it will be put towards paying for this year’s festival, but that is the future of Sweet Streets.
For those of you interested in the fiscal value of street art, the auction raised over $10,000 (up from $6,000 last year). The highest prices were: an Obey (A/P artist’s proof print) $300, large Civil/Boo collaboration $450, HaHa canvas $410 and a large Debs $800. (For those making comparisons in US$ the AUS$ is basically at parity with the US$ this weekend, a fraction less).
What are your thoughts?