Graffiti creeps up along the Upfield line bicycle path and in recent years there several quality pieces north of Moreland station. Paste-ups have now reached the shoe factory on my block with a well-placed piece by Shark, who appears to be specializing in images of birds.
As if there weren’t enough fly-posters for bands and concerts all over Melbourne there has been a big increase in paste-ups in the last year. Paste-ups maybe popular with street artists but are not highly regarded by the general public, unlike the public reception to the stencil art scene. This is because there often there isn’t much to this poster bombing. An unoriginal black and white photograph is enlarged on a photocopier and pasted on the wall doesn’t impress the general public even if it is really big. Part of the problem is often the only consideration for paste-up placement is access and visibility. The content of many of these paste-ups is just bland selection of sampled photographs images. Many people want the instant fame of street art; years ago Happy commented with his “Instant Fame” series of paste-ups.
Quality paste-ups are cut around the outline of the image, or include, even more paper cutting, like those of Miso and Swoon. Paste-up specialists like Phoenix mounts his paste-ups on cut MDF panels that have been designed withstand the weather.
Many artists and illustrators are using paste-ups to show their work on the street; I keep seeing Baby Guerilla’s floating nude women along on the streets. The Melbourne paste-up artists that I most admire are Phoenix, Urban Cake Lady and Happy. (There are others who I have not been able to identify.) I admire their work because they are produce interesting content; the message and content of the paste-up is more important than the wheat paste technique. Phoenix is interested in the politics and meaning of signs. Urban Cake Lady mysterious red draped woman with stripped stockings along with wild animals. And Happy had a cynical take on both street art and advertising.
Who is your favorite wheat-pasting street artist?