The Melbourne firm of architects, Ashton Raggatt McDougall (ARM), designed the new Hamer Hall. ARM also designed RMIT’s Storey Hall, the Melbourne Recital Centre and other notable projects in Australia. ARM have the art of architectural redevelopment down with earlier project including redeveloping Melbourne Central Shopping Centre and adding a Visitor Centre to the Shrine of Remembrance where the character of original building is not lost but simply and subtly improved.
The new riverside front of Hamer Hall with its dynamic curves and cut away windows reminded me of Hive, graffiti architecture, only on a larger scale. (See my post: Graffiti & Architecture.) The contrast with the old, mossy stone of Princes Bridge designed by the architect John Grainger (1854-1917), the father of the composer, Percy Grainger.
Kaeru, a garden of recycled materials on the upper lawn terrace of the new Hamer Hall is a temporary, environmental art project. Created by Japanese installation artist, Hiroshi Fuji in collaboration with Melbourne’s Slow Art Collective and the people of Victoria. The Slow Art Collective is Tony Adams, Chaco Kato, and Dylan Martorell; they have impressed me in the past with their installations especially the audio aspect. I have seen works by their members before at Gertrude Contemporary, the Counihan and Lamington Drive (See my 2009 post: Dylan Martorell @ Lamington Drive.)
Hiroshi Fuji has done a number of installations using found plastic. There is so much plastic in the world that it will pollute the world for a thousand years, so you might as well reuse and enjoy what is already around. Kaeru demonstrates that this is possible.
Kaeru all looks like a giant spider web made by a psychedelic spider. There were some great seats where I sat and watched the Yarra River run by in the early spring sunshine and enjoyed the audio elements of this garden. Gardens are not silent – only the dead are silent and even an unnatural garden like this needs sounds. There is the rattle of pinwheels, the occasional clang of metal from wind chimes and hanging speakers attached to glass balls emitting ambient sounds.