Melbourne artist, Jon Campbell won the $100,000 Basil Sellers Art Prize for his work Dream team – 22, a series of enamel paintings on board each with a footballer’s nickname: Dipper, Richo and Buddy Love. It is a footie fan’s dream team a nicknames.
Basil Sellers will be relieved not to be taking home a DVD this time for it is an acquisitive prize and the last two prizes have been won by video art.
There was a strong showing by aboriginal artists this year I especially enjoyed Richard Bell’s two paintings and Brook Andrew two works, especially his painting examining the indigenous origins of Australian Rules football.
I enjoyed seeing Simon Perry sculpture “Twickenham”. The small figures rotate as their roll along a track mounted on the gallery wall; the figures are based on Ian Bradshaw’s photo of the arrest of the first streaker.
Patrick Pound’s exhibition of found photographs of amateur sports-people, electronic game machines and souvenirs of professional sports stars that lost suggest the ordinary tragedies that are the corollary of sporting triumphs.
The Basil Sellers Art Prize has started me thinking about sport again – see my previous post about Art & Sport and the Basil Sellers Art Prize 2010. (I don’t often think about sport; when the grand final was being played in Melbourne on Saturday I was watching “Writer’s Bench” at ACMI, thank you Sandra.)
In “Fair game: Art versus sport in ‘the lucky country’ (Art & Australia v.47 n.4) the article Christopher McAuliffe describes the oppositional positioning of art and sport noting the objections to sport from Robin Boyd (and David Williamson) and identifying the 1956 Olympics as the point where sport moved from a balanced part of Australian life to an obsession that indicative of conservatism and a reason for national pessimism. McAuliffe is optimistic that a balance can be restored but his evidence is only anecdotal.
On the other hand Barrie Houlihan (School of Social Sciences, Staffordshire University, “Sport, National Identity and Public Policy”, Nations and Nationalism v.3, Issue 1) concluded “that while sport possesses a powerful symbolism that can be exploited on occasion to great effect, the malleability of sports symbolism often undermines its capacity to exert a lasting effect on national identity.”
Art, what ever it is, is an elaborate cultural activity that exposes elements of a culture. Reflecting on art can illuminate these cultural elements, both the intentional and the unintentional. In this aspect I think that art is helpful to human happiness as it provides a time to think – as happiness requires, according to Epicurus: friends, freedom and time to think. Sport and games in general, although enjoyable but do not provide time to think, very few people reflect on their life at a football match or while playing on the X-box. This is not to argue that sport and games are not conducive to happiness, they are a great way to spend time with friends, only that sport and games alone will not provide a happy life. Sport and games are not the same as the free play that occurs in art.