Jason Wing’s “Intervention: Criminal” speaks powerfully. It is a giant paste-up photocopy of a photo of himself with the words “An Australian Government Initiative: Criminal” on a sign hung around his neck. The image has all the sympathy of a mugshot. In 2007 by act of federal legislation the Northern Territory Emergency Response (NTER) legislation better known as “the intervention” removed the rights of the Aboriginal population in the NT. The Australian government gains political power by marginalizing and criminalizing minority groups.
Jason Wing’s image is the centre-piece image of the exhibition “Ghost Citizens: witnessing the intervention” at the Counihan Gallery and features on the exhibition flyer. (In 2009 I wrote about Jason Wing’s first solo exhibition of in this blog.)
My favorite images from the exhibition are Chips Mackinolty’s digital prints “National Emergency Next 1,347,525km” “…and there will be no dancing”; signpost the incredibly vast territory that as an emergency is absurd. I had seen Bindi Cole’s work at the NGV’s Studio space last year but her series of photos are well worth another look to see the absurdity of the idea of the standard image of aboriginal Australia.
The paintings of Dan Jones, Kylie Kemarre, Sally M. Mulda and Amy Napurulla provide a colorful accompaniment to the other works and the bleak subject of the exhibition. Fiona MacDonald’s woven archival print of the landscape of James Cook Island at Sylvania Waters in NSW provides the contrast and made me question who is need of an intervention. There is so much balance in this exhibition between the works of 8 Aboriginal and 5 non-Indigenous artists.
The excellent curatorial skills of Jo Holder and Djon Mundine OAM make this exhibition a powerful experience. The Counihan Gallery has done another great job at bringing together art and politics in this exhibition, a feature of their program this year.
The subject of the exhibition is extraordinarily important to Australia’s culture and its claim to be a civilized nation. Considering the up-coming federal election everyone should make an effort least see this exhibition and try to understand what is happening with the “Basic Card”, the suspension of the Racial Discrimination Act in the NT and the “intervention”.
Black Mark 
May 18th, 2013 at 7:27 PM
Thanks Mark, incidentally there’s a retrospective of print works by Therese Ritchie and Chips Mackinolty, “Not Dead Yet”, on show at Flinders University City Gallery (Adelaide) until July, and which I’ve been lucky enough to see. Touring from the collection of the Charles Darwin Uni Art Collection, it includes some real treasures that make the show an exciting one for a lover of political poster making – prints from Jalak Graphics (Walyaji Wankarunyayirni/Land is Life 1983, Nyuntu Anangu Maruku Ngurangka Ngaranyi/You are on Aboriginal Land 1985), Earthworks Poster Collective (Pig Iron Bob Dead at Last 1978), and the one I think you mention (There’ll be NO Dancing 2007), among many more! cheers…
June 8th, 2018 at 11:31 AM
[…] not the first exhibition that the Counihan Gallery has held about this subject; in 2013 there was “Ghost Citizens: witnessing the intervention” curated by Holder and Mundine and featuring some of the same artists. Although it is a timely […]