It is over a month after the Victoria Police raided the Linden Contemporary Arts Centre in St. Kilda on Saturday 1st of June – what is happening? Not much has happened. Heide, Gertrude Contemporary and the Victorian Tapestry Workshop have praised Paul Yore for his time with them. And a small side issue has developed with a scrap between artists and the Linden Centre. (For more about the police raid see my article in Crikey.)
Writing and researching this story has been way out of my usual territory of writing about the arts but having started on it I want to stay on the story. For let us not forget that at the heart of this story there is still a young artist, Paul Yore whose contribution to the “Like Mike” exhibition at the Linden Centre has been censored by the police, and that a month later some of his art in the hands of the police and his legal fate is still up in the air. Justice delayed is justice denied.
I’ve been trying to get information from the Victoria Police, politicians, people on Twitter, anybody… Nobody has been quick to comment, especially on the record. It looks like everyone is trying to bury this embarrassing episode quietly and slowly before allowing common sense in the discussion. Finally, the police replied to say: “the investigation is still ongoing. No charges have been laid at this time.”
Saturday 8th of June, artists rally at Linden Centre demand that the Centre reopen the “Like Mike” exhibition and stop pandering to censorship. Protesting the closure Stephen Haley has resigned from the Linden board of management. Geoff Newton, the co-curator has called for artist’s to boycott the Linden Centre.
The Linden Centre re-opened on the 11th and it issued a statement by Sue Foley, Chairperson Linden Board of Management Inc on 16th. The statement did give some further details; “we were notified by the Australian Classification Board that elements of the work by Paul Yore are considered Classification 1 – Restricted. This means that the work is considered to contain adult content and should be restricted to people 18 years and over.” (This classification was on Yore’s exhibit minus the work removed by the police.)
Although the Linden Centre has reopened to the public, with extended hours, the room with Paul Yore’s work remained closed. Closed is what the Linden Centre describes as “working through what this (the restricted classification) means in practical terms and will continue to consult with all the artists and our stakeholders when making decisions about how best to proceed.”
What is wrong with this picture?!