Strangers to Melbourne might think that the intersection of Flinders and Spencer Streets would be a central location in the city and this is one reason why there are so many hotels in the area. In reality it is a largely ignored part of the city that locals rarely visit, however the character of the area is changing to include a steampunk elements. The retrospective science fiction of steampunk can easily be imagined in Melbourne where much of the nineteenth century infrastructure remains.
Creating a landmark for the corner of Spencer and Flinders Street is David Bell’s Raising the Rattler Pole – The Last of the Connies, 2013. The 1:1 scale classic W class tram in stands at ten degree angle exposing what the Bell calls it “‘steam punk’ underbelly”. (More on the tram in Daniel Bowen’s Diary of an Average Australian.) Bell has made other public sculptures including the Nest, 2012 in the Darebin Parklands.
Russell Anderson’s Apparatus for Transtemporal Occurrence of Impending Space 2014 stands on the boardwalk behind the World Trade Centre. The bronze, brass, steel and copper pseudo-scientific time machine offers a view through a porthole of the future. Part of the equipment is functional; crank the handle and look through the viewer like an antique flip card viewer on a pier. Anderson is a Queensland artist who specialises in interactive kinetic sculptures.
Not exactly steampunk but close both aesthetically and geographically are the giant metal fish in Wharf Lane. The fish were created by Mega Fun for the 2006 Commonwealth Games floating parade on the Yarra River. The spectacle becomes permanent; there were originally 71 large artworks depicting fish, there is another ell, split in two at Kensington Community Recreation Centre.
Steampunk is not simply a fashion or a fad, the subject of shows like the Clockwork Butterfly (see my review) and not permanent public sculptures. The terms fashion and fad have been over-used, abused and have been miss applied to alternate aesthetics, like steampunk. Chris Reynolds, A History apparatus – Vessel Craft & Beacon, 1993 could be considered a proto-steampunk sculpture. Installed 1994-5 it is a twenty-four metre long series of aluminium and fibreglass forms, part of which is attached to some steel rails in the middle of Russell St., between Bourke and Lt. Collins Streets.
September 22nd, 2014 at 5:51 PM
The last of the connies…
Some of those tram conductors who tried to make a stand at the very end were real characters.
Thanks again, Mark, for putting together some snaps of art that we don’t usually see.
September 22nd, 2014 at 8:16 PM
You’re welcome. Some of the tram conductors, the great characters, are still making a stand and have turned it into a performance. See my post. https://melbourneartcritic.wordpress.com/2014/03/30/tram-conductor-performance/
October 20th, 2014 at 5:08 PM
[…] grow at an increasing rate. There is also William Eicholtz’s sculpture Courage in Fitzroy and the Steampunk sculptures in the city. These are some recent public sculpture in Melbourne that I haven’t mentioned in my […]