James Voller in Fragmented Patterns, uses the side of an industrial rubbish bin and a public toilet on Victoria Street in Coburg, as the support for photographs of the facades of suburban houses where the classical arch has become an architectural cliche. The sense of perspective given by these large scale prints distorts/transforms the surrounding environment. Is it a toilet block or the front of a small house?
A nineteenth century iron lamp post outside the Brunswick Town Hall is covered in gold leaf; Ria Green and Aliça Bryson Haynes, Everyday Monument. It made me question if I could remember the lamp post before this transformation.
Seeking to transform the way that people look at urban/industrial landscape of Coburg and Brunswick is the intention of the annual MoreArts exhibition of temporary public art. Not all of the art succeeds in this kind of transformation, some of it has just been plonked in a location.
Others suffer from other more complex urban problems, including tagging and stickers on the billboard style works of Benjamin Sheppard’s Crown in the Jewell and Chris Mether and Anthony Mecuri’s Bubbles. Not that this is a major problem in itself but it does highlight MoreArts ignoring the greater quantity, more permanent, but unofficial transformative art occupying the same area, the street art and graffiti.
Carla Gottgens Baggage, is a series of old suitcases supporting photographs of scenes from Gottgens life recreated in miniature models. Along with Gottgens Baggage at the Coburg Railway Station bike shed there was a little sign to indicate that it is an art installation in case the increasingly paranoid and insane people, who are increasingly treated as reasonable, sane and normal, might think it is a bomb. (“If you see something say something” – I see fear mongering and encouraging violence, paranoia and war crimes. What do you see?) At this point the attempt at a transformative experience is diminished.
Moreart has a badly designed guide, available online in PDF format, that needed to be rotated multiple times in order to read it. It has been a great irritation to use; I assume that it makes sense only if you know what it is meant to mean and have it printed out in hardcopy. So why bother putting it online in that state?
November 28th, 2014 at 3:11 PM
[…] While I was in the area I also had a look at Carbon Black Gallery, a shop front gallery on High Street. It was showing Darren Madafferi’s exhibition of paintings and sculptures: Bush Week. Madafferi surreal figures inhabit a limited landscape, a small psychic theatre, full of inventive intensity, like Albert Tucker meeting Yves Tanguy in the bush. There was also an exhibition by Carla Gottgens, Hope Longing Loss; I last saw Gottgens stories and photographs of model worlds in MoreArts 2014. […]
May 30th, 2015 at 11:59 PM
[…] leaf was a continuation of Ria Green and Aliça Bryson-Haynes earlier work, Everyday Monument in MoreArts 2014. That time a nineteenth century iron lamp post outside the Brunswick Town Hall is covered in gold […]