The Association of Sculptors of Victoria’s Annual Awards Sculpture Exhibition is located in a suitably grand location, the marble and glass foyer of Bourke Place, 600 Bourke Street, Melbourne. There were hundreds of people at the exhibition opening, a classical quartet, cheese platters and wine (I was enjoying the Kooyonga Creek cab sav from North East Victoria). All the usual hype of an awards night.
And all of this couldn’t happen without sponsors and donors. “Artists make difficult business decisions all the time,” ASV president Jan Indrans told the audience as he thanked the sponsors and donors.
Internationally known sculptor and land artist Andrew Rogers made a speech encouraging the exhibiting sculptors not to give up, to enjoy it and “dream a little.” Rogers always reminded the audience that sculpture is always a team effort and acknowledged the Meridian Foundry, the association and the all the other people involved in sculpture.
Sculptors have alway mixed business and the arts for their mutual benefit, symbiosis is a more dynamic relationship than domestication or master and servants. Sculpture is a very expensive art form to work in, there are expensive materials, the expense of transporting them before the sculptor starts to work.
With a 130 sculptures in the exhibition there is a huge range of sculptures by amateur and professional sculptors. There are sculptures in traditional material of cast bronze or carved marble. Modern sculptures in steel or ceramic. Contemporary sculptures in polycarbonate plastics or found materials.
The exhibition is only on to October 16 and it is worth seeing for a survey of the variety of current sculptural practice. Not the academic avant-garde vision of the future of sculptural practice but current practice with all the long tails of various styles. From the corny, traditional, kitsch, the visual equivalent to hyperbole, subtle, elegant there are sculptures to suit and offend everyone’s taste.
I was amazed by Andrew Bryant’s Moods7 because it moves, a lozenge of limestone rotates on a stainless steel pivot. I don’t think that I’ve seen a stone sculpture that moved before.
Daniel Worth’s My Nose is a marble and granite memorial to all the missing noses on classical sculptures.