Sunfigo emailed me.
For years I have wondered about Sunfigo’s art. The first work that I saw in 2012 was the Banksy Little Diver tribute was such a masterpiece, a tribute not just to Banksy but to that era of Melbourne’s street art. Since then I have been looking for more. I have been rewarded by a rich variety of experiments in media, image and message.
Sunfigo wanted to have an exhibition.
I tried to help but unfortunately I am amongst the least powerful people in Melbourne’s art world. I am just this blogger, part-time artist writer. I don’t have much money because I write about art, mostly for free in this blog. I don’t have an art gallery, nor as it turns out do I have much influence with anyone with a gallery, after these eight years of blogging. I kept on asking people but I wasn’t making any progress.
I wasn’t making any progress on gleaming any details about Sunfigo from my exchange of emails. I mean nothing; you will notice that I am avoiding pronouns in this post. In the emails Sunfigo was always “Sunfigo”.
I was also starting to wonder if Sunfigo’s art would work in an art gallery. Would it be the equivalent of the Urban Cake Lady’s gallery exhibition and fail to rise? Is Sunfigo’s art at its best in larger spaces with chainlink fences? Or finding a small paste-up neatly placed in an obscure location?
It turns out that Sunfigo really wanted an exhibition, enough to have a guerrilla exhibition in Melbourne’s gardens. On Saturday the 20th of February, the day of Melbourne’s White Night festival, Sunfigo put up a marquee with an exhibition of his work inside. I didn’t see it, it lasted about ten minutes before Sunfigo was ordered to take it down. You have to love the audacity of street artists.
I emailed Dean Sunshine, who like me, loves Sunfigo’s art. Dean doesn’t have an art gallery but he does have laneways and can throw a great party. I will report on any further developments.