On Thursday I saw a few exhibition at galleries in Fitzroy.
Sutton Gallery has a post-humous exhibition of paintings by Gordon Bennett, part of his “Home Decor (After Margaret Preston)” 2014 series. The hanging of this exhibition has three pairs of paintings, which felt both tasteful and awkward. This feeling of tasteful but awkward is at the core of Bennett’s “Home Decor” series. Like Margaret Preston’s appropriated Aboriginal shield designs of the Central Australia and Northern Queensland Indigenous communities that Bennett has re-appropriated for this series. These are some of the most appropriate works of appropriation art.
Also on exhibition at Sutton was a single large painting by Vivienne Binns, “Minding Clouds”. A large blue painting was broken up with vignette scenes, that might represent dreams or memories, painted within clouds raised from the textured surface of the painting.
This Is No Fantasy + Dianne Tanzer is showing series of sexy drawings by Arlene Textaqueen. Textaqueen’s technique with coloured marker pens (fibre-tips and watercolour on cotton rag) just gets better, her compositions are more dynamic and her message about gender, race and Australia is clear.
The exhibitions at Seventh Gallery didn’t grab me. Sorry, Cameron Bishop and Simon Reis, “Leisureland”, and Jenna Pippett, “Grab a Partner”, but I have seen exercise equipment and artists doing exercises in art galleries too often in recent years.
If People Powered Radio: 40 Years of 3CR at Gertrude Contemporary is a large exhibition about the community radio station located just around the corner. Curators Spiros Panigirakis and Helen Hughes have created an impressive and interactive display, even building the frame of a house in the main room. The exhibition not only tells the history of the station but is a contemporary art exhibition that includes works from several notable artists including Emily Flyod and Reko Rennie.