Chelsea is a neighbourhood on the west side of Manhattan Island that is currently the main gallery district in NYC. It has been three years since I did a gallery crawl through Chelsea.
Walking back and forth between 10th and 11th Avenues, up and down the streets: West 25th, 24th, 23rd. It is so easy to find a gallery on these blocks, just go to the next door, the next room on the floor of a warehouse, they are in almost every space.
Often my gallery crawls are endurance walks, hours of the touring around galleries, climbing up stairs in old warehouses and in newly furbished gallery spaces. Often I was looking at third rate commercial art, or second rate work by established artists. At times I wonder why am even here looking at pointless commercial art suitable only for the lobby of a three star hotel. I’ve never heard of any of the artists exhibiting at the Agora Gallery’s “Out from Down Under & Beyond – Fine Art from Australia and New Zealand.” My guess is that Agora is renting the wall space by the metre.
Wondering is Cindy Sherman too old to play dress-ups and what will happen if she lives into her 90s? There are other veteran established artists continuing to blandly do their trademark thing; David Hockney is drawing Yosemite National Park on his iPad, Richard Serra has large pieces of steel, and James Turrell working with space and light. Then I see art that really works and I know why I am on this gallery crawl.
The highlight of visiting all of these galleries had to be an installation by a duo of Canadian artists, Janet Cardiff and George Bures Miller, “The Marionette Maker” (2014). The installation, at Luhring Augustine, included a caravan with robotic marionettes, audio, and lighting. It was such stuff as dreams are made of; amongst the miniature scenes in the caravan was a tiny scene of the caravan in a field by a lake. (For more see Hyperallergic’s review.)
Another exhibitions that caught my attention was Anthony Adcock, “Marks of the Trade” at Lyons Wier Gallery, has painted aluminium to look like sheets of plywood and carved wood that looks like steel, it is very impressive while remaining almost too subtle.
And at HG Contemporary a group show of street artists from around the world; Retna, Swoon, Olek, Aiko, Pixelpancho and Jay West. There is so much variety in styles, and techniques from Aiko’s stencils to Olek’s crochet world.
There is some good street art on the streets; street artists like to put up work near art galleries, perhaps because there they find an appreciative audience. I see a couple of low relief panels by Kai (tying in with my special interest in street art sculptures).
I pause briefly for lunch but then I keep going until 5pm as I don’t know when I’ll be going around the Chelsea galleries again.