It may not be a Norwegian Blue but there is definitely a large dead bird in the middle of the foyer of the NGV. Although hieratic, priestly, stiff and formal like ancient Egyptian art, Bruce Armstrong’s sculptures somehow have a sense of humour. “That’s what you think” says the monstrous Knuckles holding a club behind his back.
The two guardians that thirty years ago stood in front of the NGV on St. Kilda Road are now in the foyer of the NGV at Fed Square for the Bruce Armstrong exhibition. They are joined with their maquette, the original model for the sculpture and many other works of art by Armstrong.
The exhibition is in the foyer on each of the NGV’s three floors; It continues the series of local sculptors that started with the Inge King retrospective in 2014, Lenton Parr in 2015 and, now Armstrong.
Fish, gryphon, snake, eagle, bull, bear, cat, crocodile, carved from Red Gum with great big cracks or knotty Cypress wood. Armstrong works is a traditional process; he finds the creature in the shapes in the wood that he carves, as he removes more and more. Big and rough his sculptures are surreal and shamanic taping into our collective unconsciousness.
Armstrong’s art is so associated with wood that even when he makes bronze editions wood is still the model. The exhibition reminds the visitor that Armstrong works in other media and that he won the Archibald Price in 2005 of a self-portrait with eagle.
It also reminds the visitor of Armstrong’s carved big blocks of buildings in the early eighties, as in Worlds and worlds, 1984, where a great building sits on the back of tortoise. For the city is also part of our collective unconsciousness.
Armstrong is well known for his public sculptures in Melbourne. His Eagle, “Bunjil” is perched over Wurundjeri Way in the Docklands. Its maquette and several of its close relatives are in this exhibition.