In 1977 Chris Dyson was playing guitar with Paul Kelly in High Rise Bombers. However instead of pursuing music Dyson went on studying painting at Victorian College of the Arts and later Masters from Monash University. Dyson studied at the VCA 82-84 and then taught there until 1998. In the early 80s Chris Dyson saw an exhibition of aboriginal prison art at the VCA gallery school. He remembers a painting titled; “The park across the road from the bank I robbed.” A few years later Dyson was teaching art at Pentridge.

Pentridge Prison, Coburg
In 1986 Dyson gave art classes at the psych unit, G Division. Dyson felt that what he was doing was art therapy than art classes. That it was a chance for the prisoners to take pride in something. A chance for the prisoners to think about something else. A chance for them to talk about things that they wouldn’t normally talk about. Maybe that’s why the guards hated it so much.
Many of the prisoners were so heavily medicated they were like zombies for most of the month. Dyson regarded most of the prisoners in G Division as people who couldn’t deal with the outside world. They painted dicks or marijuana leaves in acrylics. No oil paint was allowed due to fears from the guards at what other uses the prisoners could make of them. There was no music therapy after Gary Web David swallowed the metal guitar strings.
He wasn’t there for long somewhere between a year and eighteen months on shitty pay. He felt intimidated; the memo about the body search option, the missing art materials and general harassment from the guards. One day they wouldn’t let him go in with his cigarette and a prisoner ends up giving him a White Ox cigarette. Then the guards question him about what he is going to give the prisoner in return for the cigarette. He considered teaching jobs elsewhere in the Pentridge and later in other private prisons but corruption and lack of support from the guards weighed against that.
Dyson felt that the guards were worse than the prisoners. He only remembers seeing the guards body building with the gym equipment, never the prisoners who were all over weight from the stogy prison food and the side effects of psychiatric medication.
Using his old connections Dyson did get Paul Kelly to perform at Pentridge. He remembers the afternoon as a great performance followed by a BBQ.
This is some of my research for a chapter on prison art for my book about art and crime. The book is planned to be published later in the year, so I have been working on that and neglecting this blog. I don’t think that much this will end up in the book except as background because that chapter is taking a different direction, so I thought that it would make a good blog post.
April 10th, 2017 at 9:47 AM
thanks mark. It is good to read this, esp if the chapter in your book will take a different tack. You don’t mention if there was any reward or benefit reckoned by the prisoners – let alone if any of them could paint. No doubt you will touch on this in the book.
April 10th, 2017 at 9:53 AM
Thanks Phil. Yes, I will do some analysis of the benefits in the book. I am currently focused on aboriginal artists in prison and the quality of the art is very high.
April 11th, 2017 at 7:55 PM
In secondary schools the [good] art teachers are also privy to a different kind of conversation, valuable insight into the students’ personalities and lives. It’s one of the things I really love about art – how it can facilitate candid and unpredictable dialogue between people.
April 11th, 2017 at 10:06 PM
Yes, the strength of art is that it can lead to all kinds of dialogues about many different things.
April 16th, 2017 at 9:30 AM
You write like an Angel. I kept on thinking of each chapter being a Paul Kelly Lyric
April 16th, 2017 at 10:04 AM
Thanks, maybe I should look to some lyrics for the chapter titles, or quotes.