When he did his masters at RMIT Dan Wollmering was a student of Inge King and Vicas Jomantas. In that respect he is a bridge from Melbourne’s high modernism to the present. He has had 40 years of exhibiting sculptures and now that he retired from his teaching career he can concentrates on his sculptural practice.
Wollmering’s exhibition “Street Beat” at & Gallery consists of three different series of sculptures and an earlier cast aluminium work On the Horizon (2010). This work harks back to earlier works of Wollmering. All the sculptures build on earlier works but in On the Horizon the small lime green hemispheres that indent and bubble on the surface becomes the central image in his most recent wall works.
The exhibition opening was well attended late on Saturday afternoon. & Gallery specialises in sculpture. It is a couple of glass walled commercial spaces in the ground floor of a new building on the corner of Spencer and Little Bourke streets, off Water Tank Place, a private lane in Melbourne.
The work on exhibition is inspired during two art residencies in Malaysia sponsored by the architectural firm Hajjis Kasturi. You will not see any quotes to buildings in KL or Penang but reference to architectural constructs in modern sculpture. The modernity of Malaysia, the modern federated state full of multi-story modern architecture. This series of stand alone hard edge modern sculptures. Penaga (1.2) is the intersection of a circle and rectangle, an alternative resolution to a classic architectural issue. Painted fabricated steel in lime green, orange and fire engine red; except for the largest Function Fit 1.2 which is fabricated painted plywood.
The jetty series of wall works are assemblies of aluminium mesh, galvanised steal and various timbers. Titles, including Incense Jetty, Curry Jetty and Egg-tart Jetty have a more obvious Malaysian reference. These constructions reminded me of the bricolage make-do that fill in for modern unified designs and hark back to Mondrian’s early abstract Pier and Ocean series.
Attention was paid to the exhibition display with two groups of Wollmering’s wall works exhibited on painted large gray and large orange rectangles.
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