Intermission at the old Collingwood Technical College is three floors of an unoccupied school turned into a space for over thirty street artists to paint and install art in. Curated by Goodie the exhibition is a curious mix between contemporary art and the aesthetics of an abandoned building with the tags.
It is a huge space and many of Melbourne’s notable street artists had pieces or often whole rooms to work with. It was good to see Astral Nadir working on a large scale. To see LucyLucy again on a large scale without the rest of the AWOL crew. And old faces like those of Mic Porter who was active a decade ago is back.
It had been raining for most Saturday afternoon but that didn’t put the public off. As only 200 people were allowed on the upper floors at a time and the public was queueing up out the building only an hour after it opened. After all this was great free entertainment: on the ground floor there were bands, DJs, VR movies and cans of Young Henry’s beer and cider being handed out. Fortunately it is not a one day only event and Intermission runs until 21 January.
In some ways it was a bit like Melbourne Open House for the old building. The art deco building has been left abandoned for 12 years – what a waste of space! The two bedroom caretaker’s flat on the top floor was a revelation. The event is an intermission as the Collingwood Technical College is about to be turned into the Collingwood Arts Precinct; Circus Oz and the Melba Spiegeltent are already out the back.
The exhibition was better than a whole stack of pieces painted on the walls inside a building as there were artists who had site specific work. Site specific is more than just placing their work in relation to the architecture but creating work that directly referred to the space. Heesco captured the feel of street artists painting in an abandoned building in his combination of installation and wall painting. 23rd Key referred to the location in a mural that mixed the face of Keith Haring with the Apollo Belevadere in tribute to Haring’s surviving and restored mural on outside wall of the Collingwood Technical College.
The inside and outside of a building might raise ontological issues between the words ‘street art’ and ‘urban contemporary art’ but I’m going to call it all street art rather than creating a useless lexicon and pretending that art and artists are always classified in a logical and accurate manner. After all abandoned building are a traditional site for graff and street artists to paint. As street art it was impressive and fun but it was weak as contemporary art. Sometimes it felt like a funky installation at an art squat in Paris or Berlin while at other times just another great Melbourne wall.
January 20th, 2018 at 1:14 PM
I like the way you say “just another Melbourne wall”. To me so much of your graffiti and street art is contemporary art because we don’t see the same massive diversity of style and talent in Adelaide. In that way it comes across as the shock of the new. Would it sit well in a contemporary art gallery? I have no doubt many of the artists could go that way, and some have, but years of working on walls in a hit and run manner doesn’t allow for the freedom of intricate, multimedia, considered installations. I don’t know how many street artists have formal art training or are able to dedicate hours week at their profession. In that way, it really is site specific :)
January 20th, 2018 at 2:25 PM
Thanks. Yes, in some locations street art looses the shock of the street and is met with the expectations of a gallery. It is very site specific and for many street artists the specifications of a white cube are too limited and what seemed like enchanting on the street are exposed in a harsh location. Exhibitions in old buildings like the Collingwood Tech are a good compromise because it provided enough of a site to work with.