I first saw Fleur Summers’s sculpture, Making sense, from inside the train. Aside from the Fairfield Industrial Dog Object (FIDO), there are few public sculptures at Melbourne railway stations but there is now one at Jewell Station.
Summers’s sculpture marks the new entrance to the station like bunches of dead flowers. A cluster of biomorphic forms, like metal fungus protrude from the grass in Jewell Station’s new forecourt. Each of the forms crowned with a black lumpy form.
Fleur Summers is a local artist and a lecturer in sculpture at the School of Art, RMIT. Her sculpture was selected from four finalists in a competition for a new sculpture. Given the biomorphic forms it is not surprising to find that Summers started her professional life as a microbiologist.
I’m not sure about the scale of the two clusters. They are intended to be at a hight where the metal heads of the stems can be torched and gradually polished by the public. Raising the question does the public connect to sculptures by touch?
In another attempt to establish a connection with the public art students from Brunswick Secondary School helped fabricate the work. I am skeptical of manufacturing connections in this way because even the casting of the local faces failed to establish a connection for another Brunswick art project (see my blog post).
Jewell Station was once an old brick station at the end of road with light industries. The entrance was an ugly mess of tarmac paths with pipe handrails leading to the sidewalk and the carpark with the bike path running through it. Now there are curved concrete forms terracing the entrance with a variety of paving and other surfaces. The new forecourt is not unsympathetic to the late Victorian Gothic station’s architecture without having anything in common aside from location.
The new forecourt has another gesture this time trying to establish a connection with local history. There are a few printed bricks about Brunswick quoting local politician James Jewell (1869-1949) for whom South Brunswick Station was renamed in 1954. Although there are a number of memorials around Brunswick to the free speech movement during the Great Depression when Victoria police wouldn’t allow public speech critical of the government. It is one of the features of Australia’s unique democratic system is that there are no civil or human rights that are protected from arbitrary government encroachment.
How Jewell’s new forecourt’s sculptures and paths work with social distancing or when people return to using public transport in greater numbers remains unknown. Will Summers’s metal flowers shine or will people, like I did, avoid touching them.
May 11th, 2020 at 10:10 AM
Hi Mark, mind if I share this at my ‘Memories of living in Brunswick, Melbourne’ facebook page? Very interesting, especially about James Jewell.
May 11th, 2020 at 10:47 AM
Please do, as it is highly relevant.
May 11th, 2020 at 10:48 AM
Thanks – and I’ll recommend that people follow your site too.
May 11th, 2020 at 5:43 PM
So that’s what they are – who would have guessed? Generally a pretty boring design, with very poor disability access.
May 11th, 2020 at 6:20 PM
What are the problems with disability access?
December 29th, 2021 at 10:28 AM
[…] sculptures near train stations, but only Fleur Summers’s Making sense at Jewell (see my post) and FIDO in Fairfield (see my post) are visible from the […]