Social Hieroglyphics

WTF in 24-carat gold leaf on a marble tombstone sits on an artificial lawn in front of a wallpaper sky. Local artist, Daniel Worth’s small exhibition, Social Hieroglyphics, ticks so many boxes: contemporary yet reflecting on the ancient history of sculpture, complete with interactive, site-specific, performance elements and a sense of humour.

Daniel Worth, WTF

Carving hieroglyphics has been done since the ancient Egyptians, but Worth has updated them carving the emojis and abbreviations that we regularly use today into stone. This isn’t a cheap stunt of contemporary references there is depth to these works. The ancient Egyptian were communicating information by carving hieroglyphics, whereas Worth is quoting; removing the poo emoji from its original context. The difference between an ancient Egyptian carving hieroglyphics and what Worth is doing is art. That short word; ‘art’ is a significant difference, referring to millennia of history while finding new and contemporary expression.

Worth clearly enjoys the beautiful and luxurious materials that he is using. Yet, 90% of the stone in the exhibition has been found or reclaimed. Some of the stone came from stonemason’s off-cut bins and from an 1840s drainage system at York’s first railway station. Only the Carrara marble for the big Stone Phone, the centre-piece of the exhibition, was bought.

Daniel Worth, Stone Phone

I asked Worth about the ethics of sourcing stone. “I feel it important to use stone that is being discarded because it gives it a second life, it also works with my frugal and resourceful nature. Sometimes that chance encounter with a found stone mixes with an idea that transforms it into something new.”

Some of his carvings only exist in a stone rubbing in crayon and 24-carat gold leaf on paper as the carved stones have been installed in undisclosed locations. One a small brick of marble found along Thames foreshore was carved with LOL, and the Worth threw it back into the river. If future mudlarks along the Thames resemble the present ones, they will research these letters and laugh.

There is an interactive aspect to the rubbing carvings. Wax crayons allow visitors to make their own laughing tears emoji rubbing from one of Worth’s carved stones. Visitors are encouraged to use the back-half of the room-sheet to add a rubbing. So you get your own souvenir piece to take home from the exhibition.

Daniel Worth, stone rubbing table

There is so much potential in this solid exhibition. Worth’s art is infinitely scalable; scalable is what every internet business is looking for. Worth could do more with the ideas in this exhibition, more art, exhibitions, even giant works of public art.

This was the first exhibition that I have seen since the COVID-19 lockdown. I had to make an appointment to see it at Noir Darkroom Gallery, and when I did, I was the only visitor to the shopfront gallery on Moreland Road.

About Mark Holsworth

Writer, independent researcher and artist, Mark Holsworth is the author of the book Sculptures of Melbourne. View all posts by Mark Holsworth

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