Even if his name is not, Adrian Mauriks’s public sculptures will be familiar to many Australians. As they are in every major Australian cities — in Melbourne, there are sculptures in the Docklands, in Laverton, and Richmond.
From multimedia installations to spiky, monumental forms and then curving smooth white biomorphic creations; Mauriks was a prolific artist who kept on developing his art rather than reproducing the more of the same kind of works.
Influenced by Arp Mauriks’s white curving sculptures with their organic forms were surrealist without being pretentious, for this was not surrealism of hyperreal dreams but the poetic totems. Landscapes of surreal white gardens with gateways and organic growths. Maurik’s Silence, 2001, commissioned by MAB Corp for Docklands, New Quay precinct, Melbourne is part of this later body of work.
A teenage Adrian Mauriks arrived in Australia in 1957 from Holland. He went on to get undergraduate and post-graduate degrees at the Victorian College of the Arts. Through his teaching at various tertiary institutes, including the University of Melbourne and Ballarat University he influenced many young artists. But it will be his many sculptures that will be his longest lasting legacy, a legacy that is not for an exclusive few but everyone, for people like me have never met him, but who enjoy his art.
July 31st, 2020 at 1:38 PM
I hadn’t heard of him before this. I’m eager to look into his oeuvre and see more. Especially since you’ve described his style as being rather anarchic and constantly changing.
July 31st, 2020 at 2:29 PM
Mauriks had more dramatic shifts from black to white, from rectalinar to curved, rather than a constantly changing style.