Uptown is an outdoor exhibition of 26 contemporary artists along the top end of Bourke Street. It is not alienating, obscure art but accessible work ranging from the sublime to the ridiculous that uses street artists’ tactics to respond to the locations. Occupying hoards, walls, and the empty shops’ windows; this is not plonk art, nor is it obsessively site-specific.
Bill Henson’s floating girl looks like a colour photography version of a Baby Guerilla, who has pasted up many floating figures on Melbourne’s walls. A girl floats above a bicycle, in the distance, there are lights of the city at night. Is she sleeping, or has she been thrown from the bike?
The image, printed on a billboard-sized tarpaulin, covers the construction hoarding at the old Metro nightclub/Palace Theatre at 30 Burke Street. Now being rebuilt as a hotel, only the famous, heritage-listed facade will be preserved. Melbourne’s facades remain, a century of old faces, masks made from the victims’ skin, adorn a building that has been a theatre, cinema, music venue, Pentecostal church, and a nightclub.
Destiny Deacon has a paste-up photograph on the wall of a lane; and if you want to see more of her cheeky and deadly insightful, post-colonial art you can at the NGV where she has a major retrospective. Kenny Pittock illustrates a couple of funny points in a lane. And Constanze Zikos brings Vault back into the picture of Melbourne’s public art. It was good to see Kent Morris, who is best known for his work with The Torch, showing his own photomontage work on a billboard above the car park entrance on Mcilwraith Place.
In the window of the former Job Warehouse, that old fabric store, which once displayed bolts of cloth packed to the ceiling, Elizabeth Newman hangs “Enemy of the State”. Those words in blocks of letters are the pattern the dress’s material. The dress hangs in plastic wrap in the window with a row of coloured lights to complete the installation.
There are several empty shops at this end of town, including the Job Warehouse, whose empty carcass still haunts the city. Built in 1848, it is the third oldest building still standing in Melbourne, transforming multiple times. Job Warehouse was operated by Jacob Zeimer, a gruff man who that he had no time for people browsing, buy or get out. His business closed in 2012 and parts of the building have remained without tenants since. Its restoration is a slow process managed by Heritage Victoria.
Uptown along Bourke Street zests up an area that is well worth walking around and giving another look. The exhibition draws attention to the area and plays well with street art. Perhaps the word that I’m looking for is, ‘complementary’, as in colours, geometry and serving to complete. In this, its curators, Fiona Scanlan and Robert Buckingham, have gone above what would be expected from this kind of exhibition with the installation of the art and the artists chosen.