There was an earlier phase of mural painting in Melbourne before the current aerosol art. Influenced by the Mexican muralists rather than any hip hop elements. They took a far more social, historical, and educational approach. One of the most important of these is the 44.27 metres long Northcote Koori Mural (aka the Aboriginal Mural, the St Georges Road Mural).
Designed by Megan Evans in 1985 with an additional three metres designed by Gary Saunders in 2013, to bring its history of Indigenous Australia up to date. The mural now faces St Georges Road in Thornbury, backing onto the Sir Douglas Nicholls Sporting Complex. It was initially on a wall opposite the Northcote Town Hall on High Street it was and moved to its current location in 1992. In 2013 it was dismantled and replaced with a refreshed, digital version, printed on vinyl.
Painted by Megan Evans, Ray Thomas (Gunnai/Barlijan), Ian Johnson, Millie Yarran (Noongar), Les Griggs (Gunditjmara/Kerup Marra), Elaine Trott and along with Aboriginal, African and European volunteers. Megan Evans would work with several of these artists again on other public art projects. She worked with Ray Thomas on Another View Walking Trail for the City of Melbourne in 1995. Later Ray Thomas painted the Northcote Civic Square Mural and was one of the artists who carved a pole for Scar – A Stolen Vision in Enterprise Park along the Yarra River.
For three years, Evans was painting a mural a year in the Northcote area. These murals are based on research, interviews, and consultation with local people that she undertook before starting the design. In 1986 Evans and Eve Glenn completed the Women’s Mural: Bomboniere to Barbed Wire on the wall Gas & Fuel Office on Smith Street, Fitzroy. Capped by the notorious graffiti writer Nost in 2016, the wall was demolished in 2019. The mural can still be viewed as a digital version online. And, in 1987 Evans painted Northcote Youth Mural, with Les Griggs and Marina Baker.
All of Evans original murals are gone due to land sales and building demolitions. Darebin Council has opted for digital preservation for all of these murals. For more on preserving and conserving murals, see my post on the conservation of street art.
What are your thoughts?