On the eve of Melbourne’s fifth lockdown, I decided that I had better look at some of the best of Melbourne’s street art and graffiti while I still had the chance. So I mask-up, jump on a tram and walk around the city on Thursday afternoon. Now, as I write this I am confined to my house and can only travel 5km around it for exercise, shopping … you know the drill.
Although I regularly reflect on what has been put up in Hosier Lane, AC/DC Lane, Croft Alley and Presgrave Place, there are many lanes that I haven’t seen in years. It was not just a lockdown that was limiting my chances, whole laneways full of art on the cusp of being demolished, art disappearing into construction projects.
I was photographing work down a familiar lane off Franklin Street, near the Queen Victoria Market and the Mercat. I have fond memories of both meals and gigs at the Mercat, which closed in January 2017. Now a massive multi-storey construction looms over it all.
A builder wearing fluro noticed my interest: “There is even better stuff further down,” he informs me. I knew that there was. The building site hadn’t swallowed up the network of lanes known as Lovelands, but it looked like it soon would.
Blender Alley is now one of the entrances to the massive construction site. Although Blender Studios have moved to a new location there is still some historic stencil art from HaHa and Psalm and quality new work on its walls.
People always wondered how long street art and graffiti was all going to last. I remember Ghost Patrol saying that it was over in 2008. They should have been concerned not that it was a fad or how long the pigments in the paint will last but how fast the walls in the city are rebuilt. Melbourne’s street art fame has as much to do with the design of the city and these service lanes as the artistic talent.
I will pause for some lunch before examining some of the deeply held assumptions about art and the influence of the philosopher and historian David Hume. Hume came up with the idea of fads and fashions when he started to record English social history after the English Civil War. Now I’m more inclined to believe in structural influences, even the built environment, rather than the whim of a population.
However, walking around the city on Thursday afternoon I just feel negligent that I haven’t seen these years. I walk these laneways in search of the latest instantiation of the zeitgeist. There are hundreds of these service lanes, and the latest, freshest work could be hiding up any one of them. Jazzy capping Ash Keating in Chinatown, Sunfigo keeping social media real, more black and white stencil pieces by Night Krawler, paste-ups by Suki, Phoenix, and collaborative pieces by Manda Lane and Viki Murray (read my earlier post on Murray’s skateboard riders).