Looking at that famous Melbourne laneway of street art and graffiti now is like a portrait of the city post-lockdown. It has two sides.
On one side of Hosier Lane is Culture Kings, purveyors of designer streetwear and their wall painted by some hired gun aerosol painter. Further down that side of the lane are pieces by artists with @Instagram names painting anything they think will make them popular. Another set of wings to pose in front of for a selfie to bore your friends by El Rolo (aka Carlos Mejia, a graphic designer specialising in “illustration, packaging and commercial art”). El Rolo has been painting more than his fair share of walls in Hosier Lane for over a year, and I try to ignore it. His art is slightly less shallow when he collaborates with another South American artist also based in Melbourne Oskr who does calligraphic work — or what he calls “calligraffiti”.
On the other side of Hosier Lane is The Living Room providing aid for the homeless and the homeless in their genuine streetwear. The walls on this side are painted in a mixture of styles and techniques. On this side of the lane, the art is wild and free. On the wall opposite Culture Kings, there is a painted protest with placards calling for “free weed,” “dry socks,” and simply “change”. This seated man is a reference to Melbourne stencil artist Meek’s Begging for change 2004, an image of a seated man with a placard that reads “keep your coins, I want change.” Further down, another artist has preserved a paste-up by Barak, bringing it into the literally hand-painted and hand-printed landscape.
Trying to decipher this gestalt graphic of the two sides of this laneway, illustrating the contrast between those that see the city as a place, like home, and those who see it as a commercial opportunity. In several places a stencil of “IF” in large Times Roman font has been sprayed.
Meanwhile, AC/DC Lane, just a few lanes up from Hosier, remains the place for quality street art.