I was glad to have seen Hosier Lane on Thursday. Not for the crowd of high school students milling in the famous blue stone lane. Not for the vacuous schmaltz and wastes of aerosols that the greedy el Rolo or Culture Kings spray on the walls. Not even for the aerosol paint but for the little pieces, the stickers (there is now a dedicated section of wall in Rutledge Lane), the paste-ups and the small ceramic pieces (glued to the wall with liquid nails or superglue).
Many of these little pieces espoused feminism — a doilly cross-stitch embroidery of a quote from an advocate for survivors of sexual assault Grace Tame. Street art in Melbourne is at its best when it is raising issues that are both political and aesthetic. As one of the ceramic pieces stated: “Feminism is for everyone”
“Spastic Society opposes women. Lesley Hall St. Kilda 1981. Disability is a feminist issue.” 1981 was the United Nations International Year of Disabled Persons; it was also the year that Hall went on stage at the Miss Australia Quest with that sign: “Spastic Society opposes women”. The image is from the 1981 Miss Australia Quest, where Hall’s protest pointed out the contradiction of the beauty pageant raising money to support children with cerebral palsy. The Miss Australia Quests’ idea of beauty excluded people with disabilities. For more, read Hall’s article on “Beauty Quests: A Double Disservice Beguiled, Beseeched And Bombarded – Challenging The Concept Of Beauty”.
It also reminds me that street art is a very ableist activity.
It was good to see all these pieces, to know that more women are doing quality work as street art should not be just for the boys. I went on to Presgrave Place, where I saw more pieces by women street artists. Stencils by artist and jeweller Edie Black, cutouts by Manda Lane and more stencil paste-ups by Vikie Murray.