On Thursday I saw a few exhibition at galleries in Fitzroy.
Sutton Gallery has a post-humous exhibition of paintings by Gordon Bennett, part of his “Home Decor (After Margaret Preston)” 2014 series. The hanging of this exhibition has three pairs of paintings, which felt both tasteful and awkward. This feeling of tasteful but awkward is at the core of Bennett’s “Home Decor” series. Like Margaret Preston’s appropriated Aboriginal shield designs of the Central Australia and Northern Queensland Indigenous communities that Bennett has re-appropriated for this series. These are some of the most appropriate works of appropriation art.
Gordon Bennett, Home Decor
Also on exhibition at Sutton was a single large painting by Vivienne Binns, “Minding Clouds”. A large blue painting was broken up with vignette scenes, that might represent dreams or memories, painted within clouds raised from the textured surface of the painting.
This Is No Fantasy + Dianne Tanzer is showing series of sexy drawings by Arlene Textaqueen. Textaqueen’s technique with coloured marker pens (fibre-tips and watercolour on cotton rag) just gets better, her compositions are more dynamic and her message about gender, race and Australia is clear.
The exhibitions at Seventh Gallery didn’t grab me. Sorry, Cameron Bishop and Simon Reis, “Leisureland”, and Jenna Pippett, “Grab a Partner”, but I have seen exercise equipment and artists doing exercises in art galleries too often in recent years.
If People Powered Radio: 40 Years of 3CR at Gertrude Contemporary
If People Powered Radio: 40 Years of 3CR at Gertrude Contemporary is a large exhibition about the community radio station located just around the corner. Curators Spiros Panigirakis and Helen Hughes have created an impressive and interactive display, even building the frame of a house in the main room. The exhibition not only tells the history of the station but is a contemporary art exhibition that includes works from several notable artists including Emily Flyod and Reko Rennie.
In my wanderings around the city, searching for art galleries and street art, I walk along familiar and unfamiliar streets. I pass the mural on the wall of Whitlam Place in Fitzroy; it has been there a few years but still looks good. Of course these great public murals on so many buildings in Fitzroy would not be possible without artists working illegally along its back lanes. You cannot have one without the other. And there are so many pieces on the streets.
Anon. Fitzroy stencil
In the back lanes of Fitzroy, along with old stencils by Psalm, Dlux, HaHa, Optic and other veteran street artists, Vandal Spruce has been adding his paste-ups. Vandal Spruce is continuing to paste-up to taunt the Victorian Police with his inverted version of their badge. Vandal Spruce has been doing a great many of these paste-ups; I’ve seen them from Brunswick to Fitzroy.
Vandal Spruce, Fitzroy
Crossing Victoria Parade the municipal boundary between the City of Yarra and the City of Melbourne. Suddenly there is no more street art, legal legit pieces nor any illegal pieces. (Like I said you can’t have one without the other.) The backs of street signs were not covered in stickers, the white cream of all the buildings is fresh and clean. And the streets of East Melbourne are almost empty of people in contrast to the bustle of the streets of Fitzroy.
Tom Civil, 3CR wall, Fitzroy
It is only a couple of hundred meters south from 3CR community radio with its sidewall covered in a two story high painting by Tom Civil, Reko Rennie and others. Tom Civil’s huge section with hundred of figures walking, riding bicycles and sitting around a campfire is a great vision of the idea of community. Victoria Parade clearly demarcates the contrasting patchwork of Melbourne’s inner city and the different policies of its municipal governments. Is this what the City of Melbourne has a dedicated graffiti removal van for? To protect the areas of Melbourne occupied by the Masons, private hospitals, surgeons and the police association headquarters from the dread graffiti.