Catherine Asquith Gallery had ‘Allure’ an exhibition of paintings by Sydney artist, Catherine Abel. Abel’s paintings certainly have an allure; luxurious female nudes adorned with jewellery and draped with rich fabrics. Catherine Abel’s nudes are allegories of styles. Each painting imitates a different decorative style from the history of art deco, art noueveau and pre-Raphaelitism. The profusion of stylistic indicators are piled on from the background decoration to the foreground details. There are other references to art history in the titles of the paintings like Kiki of Montparnasse. Although Catherine Abel’s paintings are studies in style paradoxically they are all in Abel’s own clear style. The model is the same in all of the paintings with different hairstyles to suit the style.
Read an interview with Catherine Abel.
“Water” at Mailbox 141 by Thornbury artists Rebecca James is a series of drawings. However, Rebecca James used the small exhibition space with imagination creating more than just a series of small drawings. The installation of the drawings of a woman swimming transforms the lite glass-fronted mailboxes into windows looking into a swimming pool. It creates relaxing vision for the office workers and visitors to the small, art deco foyer of 141 Little Flinders Street.
‘Views from a Speeding Train’ by Amanda Van Gils at Jenny Port Gallery is another attempt by a painter to represent the fast moving perspective presented to a railway passenger. Painters have been struggling to depict this view for over a century, a common view that emphasises our relative position. Van Gils uses motion trails to represent this movement in paint. Van Gils has selected vistas from Mediterranean France and Spain make for attractive landscapes paintings. I’ve travelled by train through some of that area. And, although there are no obvious landmarks in Van Gils paintings, I felt the views in the painting were familiar before I read their titles that refer to locations.
Read an interview with Amanda Van Gils.
Black Mark 