Tag Archives: Bill Henson

Censorship in Australia

From the long history of censorship in Australia, it is possible to achieve an accurate understanding of Australian culture as dominated by prudish, thin-skinned, sycophantic, philistines.

Not a single Australian politician has come out to defend Bill Henson, not even those who own art by Henson (they are hoping that they can profit from the increased sales price and the witch hunt). The Federal Arts Minister, Peter Garrett has remained silent on the controversy of arts censorship – censoring himself. (Garrett is not really the Minister for the Arts, rather he is just another one of Rudd’s toadies.) International readers of this blog may not be aware that in Australia there is compulsory voting that censors anyone who does not encourage voters to show a preference for both political parties. (I wonder how Bill Henson will be voting but according to Australian law he will have to support a party that condemns his art.)

A major contributing factor to censorship in Australia is prudish, Christian morality. Prime Minister Kevin Rudd introduced his religious bias quickly into the debate of Bill Henson’s art with his “God forbid” remark. Rudd believes, without evidence, in the idea of the “innocence of children”, introducing Christian dogma to the debate. Christians are not in a good position to throw stones as they frequently expose children to an image of sadomasochistic pornography with a nearly naked man hanging on a cross. [Andy Soutter “The Greatest Porn Star Ever Sold”, Rapid Eye 3 (Creation Books, 1995)]

In 2004, the ACMI was responsible for the censorship an artist’s work that they had commissioned. ACMI then exhibited an altered version of the work against the artist’s consent. The censored work exposed the pornographic sadism in the central Christian icon. And in 1997 there was the vandalism of Andre Serrano’s Piss Christ by a thug with the blessing of then-Archbishop, now Cardinal Pell Pot.

Censorship is also an issue at the 2008 Sydney Writers Festival. Journalism students of University of Technology, produce ‘Festival News” for the Festival. The first edition of the Festival News was censored by the Writers Festival because of references imply that the Minister of the Arts was not popular. The festival claimed that the publication was ‘offensive’ when it was merely critical of the government. This action is similar to the demotion of academic Dr. Paul Mees by the University of Melbourne for criticism of the Victorian Government. This sycophantic aspect of Australian culture is disgusting; it makes it very difficult for critics or intelligent debate and retards civic progress.

The chill effect of the recent censorship of artists self-censoring out of fear will damage the careers of artists in Australia and further retard Australian culture (if there is such a thing). Read about the experience of recently censored Melbourne artist Cecilia Fogelberg in her blog.


More Art Censorship

Another exhibition has been censored in Australia. In the same month that Cecilia Fogelberg and Trevor Flinn’s exhibition at Platform was censored by Melbourne City Council. Again this has been due to a single a complaint about nudity in photographs. But this time the NSW Police has supported the censorship shutting down the exhibition. And this time it is an internationally known photographer, Bill Henson and Roslyn Oxley9 gallery, a major Sydney commercial gallery.

For the news story read: Photographer Bill Henson exhibition under investigation

The last time that NSW Police were stupid enough to venture into art censorship in 1982, was also at Roslyn Oxley Gallery. Then they fueled the career of painter Juan Davila. I don’t know what they hope to achieve this time as Bill Henson’s career is well established, but the price of his photographs is sure to rise with the increased controversy. It will also increase the long held reputation of Australia being a country of prudish philistines.

“The discussion about Stupid as a Painter in the press and in the art scene was predictably ‘Is it art or is it pornography’, only a repetition of the long history of censorship in Australia.” Juan Davila (Hysterical Tears, 1985, p.13)

The discussion about the Bill Henson exhibition will, unfortunately, be same. The claims of morality and protecting people underlying censorship are hypocritical considering Australia’s record of genocide, war crimes and brutalisation of refugees (including children) in Australian concentration camps. It is not surprising that nudity in art is being regularly censored in Australia as it helps maintaining the failed illusion of decency.

The parrots of Australian politics came out to show their hypocrisy, ignorance and philistine attitudes. Leading the charge was the ever-righteous Prime Minister Kevin Rudd on Bill Henson’s photographs –  “I find them absolutely revolting.”  NSW Premier Morris Iemma said he found the exhibition “offensive and disgusting”. NSW Opposition Leader Barry O’Farrell followed the trend condemned the exhibition. If this is Rudd’s real opinion of Henson’s photographs what level of revolting, beyond the absolute, does he have for his US allies torture program or the abuse of children by Catholic priests? Or are those things less revolting to Rudd? He certainly acts that way.

And so the real reason for the police raid is to help these slimy politicians make themselves appear like moral leaders. It is difficult to make an Australian politicians with no regards for human rights appear moral but beating up an artist over nudes is probably the best way to do it.


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