Tag Archives: Bruce Katsipidis

The Architect’s Shopfront

Thursday evening, another 6 pm art exhibition opening; what is different about this one is that it is in an architects office in North Fitzroy. A couple of times a month, the studio of DiMase Architects become a small gallery, Shopfront-342. Shopfront-342 has a theme, interpreted broadly, art with a relationship to the built environment. 

That night at Shopfront-342, a small group of people had gathered. (How many people would you feel comfortable inviting into your office?) But small is good, small is sustainable and small is friendly; charmingly inviting in an interested person passing by. And there was even a sale while I was there.

A unique hanging system made of wood (architect designed) for displaying work on the internal walls allows for quick and easy hanging. And a shelf facing the shop’s front window for displaying sculptural work.

It was like one of those opening at an artist-run-space where everyone is an artist, except everyone was an architect, even the two exhibiting artists: Bruce Katsipidis, an architect/sculptor and an architect/painter Elaheh Mohamed. Had I slipped into an alternate reality? Memories of reading about Frank Lloyd Wright’s claim to be the first non-figurative abstract artist because he did a panel for a house a year two before Kandinsky (really, it was neither man but a woman many years earlier).

Melbourne-based Iranian artist Elaheh Mohamed is showing two series of abstract paintings. An earlier series inspired by Trilogy: The Weeping Meadow by the acclaimed Greek auteur Theo Angelopoulos and her most recent paintings by locations around Western Port Bay. Calm abstracts with sweeping atmosphere and lyrical gestures created in the manipulations of the picture plane with layers of paint.

Katsipidis inspired by Brancusi, including the combination of carved wood on a cast concrete base and the erotics of the smooth curving forms. His four wooden sculptures are made with hand tools only as he made them in his architect’s office from found timber.

Alternate exhibition spaces in shopfront windows support local artists and culture. Businesses should look at what they do for the local community, not just their clients but also the people who have to walk past it or wait for a tram in front of it. For example, Shopfront-342 started as a way to engage local children on their school walk. Further along, the tramline is another shopfront art gallery, Dolls House.

Bruce Katsipidis, Penguin

%d bloggers like this: