Tag Archives: Chris Booth

Save Strata!

Melbourne University has a fine tradition of acquiring, for very little cost, sculptures that are surplus to the requirements of Melbourne’s business world. Many architectural sculptures from the 19th Century “marvellous Melbourne” found new homes at Melbourne University. The demolition of old commercial buildings and the removal of their sculptures has added to the university’s collection. Urban Melbourne has a page about sculptures that have moved generally due to demolitions.

little Collins 2

Chris Booth, Strata, 2001

This tradition continues today with the university acquiring the sculptures in the AXA Plaza in Little Collins Street. Several sculptures will be displaced by construction including the works of Peter and Paul Blizzard and, New Zealand sculptor, Chris Booth’s massive stone assembly (400cm x 1000cm x 35cm), Strata, 2001.

Booth is known internationally and has major commissions in Australia, Canada, the Netherlands and New Zealand. Strata is typical of Booth’s work with stone. The stones are bound together with stainless steel cable to create the curved sculptural form. The sculpture is tied to the land for on the Castlemaine slate there are petroglyph by aboriginal artist, Fiona Clarke.

The problem is that Melbourne University has agreed to take Strata but not pay for it to be reassembled by the artist. Chris Booth describes this as “an act of vandalism” for it  is no better than the complete destruction of the sculpture. For without reassembly Strata is nothing more than a pile of rocks. It doesn’t come with pages of interactions and an Allen key from Ikea; not that would help, it needs the artist to reassemble it.

Urgent action is required as the dismantling of the sculpture is due to start in a week. Chris Booth is requesting that the Melbourne University reconsider their decision. It is all very well for Melbourne University to accept Paul Blizzard’s Fossil Stones because it can easily moved and plopped in a new location. However, as Booth points out, “as the University of Melbourne has accepted these three works into its keeping it has a legal and moral duty to protect them for posterity.”

The Moral Rights provisions in the Copyright Act, under section 195AT, states that the owner of a moveable artistic work is liable to the artist if they destroy the artistic work without first giving the artist opportunity to remove it.

For more about this issue see my earlier post: Redevelopments and Public Sculpture.

Lt Collins Street

The forecourt on Lt. Collins Street


Redevelopments and Public Sculptures

There is constant redevelopment in the CBD, buildings are being torn down and new buildings built, but two redevelopments have caught my attention because of the public sculptures caught up in these developments. Although these sculptures are public, in that they are on premises open to the public, they are privately owned. These are the redevelopment at the 360 Collins Street and 447 Collins Street.

The forecourt on Lt. Collins Street

The forecourt on Lt. Collins Street

My interest in 360 Collins Street is focused on the forecourt area on Little Collins Street where there are several sculptures by Peter Blizzard’s Shrine to the Ancient River, Paul Blizzard’s Fossil Stones and Chris Booth’s Strata. See my blog post.  In 2011 there was a proposal approved for 15-storey development in the forecourt area whereas the present 2015 proposal retains, refurbishes and redevelops part of the forecourt area. For more on the development see Urban Melbourne.

Michael Mezaros, John Pascoe Fawkner, 1978

Michael Mezaros, John Pascoe Fawkner, 1978

Ironically it was a dislodged slab of its marble facade in 2012  that spelt the end for the National Mutual building at 447 Collins Street designed by architects Godfrey, Spowers, Hughes, Mewton & Lobb in 1965. It’s façade of marble slabs was its one notable architectural feature, a move away from the curtain wall of earlier modernism. 447 Collins Street is now vacant and approved for demolition. In the forecourt of 447 Collins Street are the statues of John Batman by Stanley Hammond and John Pascoe Fawkner by Michael Mezaros, see my blog post.

What will happen to the sculptures? The Moral Rights provisions in the Copyright Act in 2000, under section 195AT, the owner of a moveable artistic work is liable to the artist if they destroy the artistic work without first giving the artist opportunity to remove it. The artist or their heirs, as two of the sculptors are now deceased, have the right to be informed about the removal, storage or subsequent reinstallation.

Percival Ball architectural ornaments now the entrance to the carpark at Melbourne Uni

Percival Ball architectural ornaments now the entrance to the carpark at Melbourne Uni

In the past Melbourne University was eager to provide new homes to sculptures dislodged from their original locations in the city, see my blog post. None of the sculptures at either 360 Collins Street or 447 Collins Street are site specific so it should not proved difficult to find a new home for them, if they are not returned to refurbished forecourts at their present locations.


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