I started my gallery crawl at the Spring Street end of Flinders Lane and worked my way down the hill to Elizabeth Street, having a look in the various art galleries. The art I saw varied from the beautiful, fun and engaging through to the why is this even being exhibited.
Most of the commercial galleries were closed last Thursday for various reasons. Two, Arc One and Anna Schwartz were installing new exhibitions, Lesley Kehoe Galleries in 101 Collins Street was only open “by appointment” and it was too early in the day for Stephen McLaughlan Gallery to be open.
The only commercial gallery that I saw was FLG (Flinders Lane Gallery). It had two wall hanging sculpture exhibitions by the sculptors Richard Blackwell and Dion Horstmans. Blackwell’s curvy op-art sculptures are mesmerising and Horstmans’s look like the graffiti outlines with colour fades.
There were two exhibitions at Forty Five Downstairs. Mike Nicholls exhibition “Bird as totem” features both his wood carvings and works on paper; Melbourne sculptor Nicholls was a founding member of Melbourne’s first ARI, Roar Studios. And Lisa Seward’s “A thousand kisses deep”, an exhibition paintings, etching and installations. The only problem with Seward’s exhibition was that with 58 works it was a bit too much, too obsessive repeating a whimsical surreal thought about parachutes and jellyfish.
At Blindside, Majed Fayad “Fly, Sky High … Dubai” explores the neutral space aesthetic of airport passenger lounges with their bland aesthetics and complete surrender to international commercial interests. In Blindside’s second gallery there is a neon work, “Shift (corner)” by Meagan Streader and Genevieve Felix Reynolds painting on curved aluminium looks like a badly hung poster. There was also a video work, “I’m a steamroller baby” by Kray Chen from Singapore.
Miranda Jill Millen solo exhibition of paintings and ceramic sculptures My Kath & Kim was all boganfreude (a word coined by Brigid Delaney of the Guardian meaning “meaning the thrill you get from reading about bogans behaving badly”). The images based on the tv series Kath and Kim are so close to a copyright violation that only the legal fees are separating it. I think that the City Library can and has a responsibility to do better than simply having a publicly owned space for hire on a monthly basis that doesn’t take commission.
The ceramic cigarettes in Millen’s exhibition were similar to the textile versions of objects in Pimento Mori: Life and Desk Lunch by Chloe Smith at Mailbox Art Space at 141 Flinders Lane. However, unlike Millen’s work, Smith’s fantastic little exhibition is not laughing at outer suburban bogans, like Kath and Kim, but at everyone who has ever eaten at their desk. Smith’s round pimento shaped and coloured invitations were a perfect added detail.
And that concluded my gallery crawl down Flinders Lane and I wanted sushi for lunch.