If you are like me then you are already bored with all the articles, posts, tweets about COVID-19. So please forgive me for this blog post; I am writing it for a future record rather than for you my present unfortunate readers. On the upside, this short blog post contains my most complete report on what is going on in Melbourne’s art galleries but with fewer images.
A few commercial galleries like, Charles Nodrum Gallery, continued with their exhibition program during March, without the usual opening drinks, and remained open by appointment, asking patrons to call ahead to arrange a suitable time to view the exhibition.
Some street artists and graffiti writers, normally nocturnal creatures, are still venturing outside to practice their art but they won’t have many actual viewers even in the best locations. The famous Hosier Lane is empty, as it often was a decade ago when the art in it was better. I infer this from what I have seen in recent posts and photos for I have seen little more than a few blocks from my home.
Many artists are working from home or alone in their studio as they have always done. What they produce and what is the cultural impact of this pandemic maybe a topic for future blog posts when the art galleries are open again.
Mr Dimples is “pretty upset” and “gutted” that his up-coming first exhibition “No More Suckers” at The Stockroom has been postponed due to the COVID-19 pandemic. “A years worth of work, ready to hang in two weeks and then boom, postponed.” He told me online. I was intending to review the exhibition so instead decided to write about the postponed show.
Mr Dimples is a street-artist from Bendigo who does these cute robots and aliens. A fan of horror films he started to draw these cute monsters after seeing the Tim Burton exhibition at ACMI. There is something defective and absurd about his monsters: they are sewn up, an X for an eye, or are a robot with a joint in his metal hand.
On the street he works with paste-ups and stencils but in the exhibition there will be 53 paintings on canvas. Painting is place for him to express his feelings about the world. “My canvases are where I put my life and soul and display it to an audience. I feel my paste ups and stencils are more like portraits and don’t tell a story.” And he pours out stories about backstabbing mates, controlling partners and “getting rid of toxic people in your life”.
Mr Dimples came up with his name in five minutes and kicked off his career when the Bendigo Advertiser wrote an article about him.
Four years ago, when I first saw his sweet little monsters stuck to a Bendigo wall, Mr Dimples was about the only street artist in the Central Victorian gold rush city. There is a bit more now and the local council have tentatively begun to commission the odd piece but it is still not a flourishing scene.
To compensate for that he has joined forces with Melbourne’s “the ninjas” to bring his art to the laneways of Melbourne. “Working with the ninjas has allowed me to work with a group and share, grow and enjoy other artists company. It’s like a quirky little family, where we do art, laugh and then eat dumplings.”
We will have to wait an indefinite time before we can see Mr Dimples’s exhibition but in the meantime here are a few more of his images.
Most Thursday I go into the city, Fitzroy or somewhere else and look at art galleries and street art but today I am staying at home. Most of the galleries in Melbourne, including the NGV, are in an unprecedented shut down due to the COVID-19 virus. So many things have been shut down and cancelled.
I anticipated that this would happen last week in my last blog post and that day in the city was coloured by the feeling that I won’t be doing this again soon. I had hoped to take a photo-booth photo to memorialise the day but the classic black and white photo-booth at Flinders Street Station was being cleaned. (See my post on photo-booths.)
Instead of my usual gallery crawl, today I am staying at home. Working on the eternal tasks of labelling my photographs, going through the unread emails in my inbox and catching up with my reading. With me are my wife who is working from home and an elderly 12-year-old cat, Stella, that we adopted from the Lort Smith Animal Hospital earlier this year. Stella is very comfortable and experienced with staying at home.
So, as I work out what I’m going to do for the next couple of months, here are some photos that I took earlier. South Korean responses to Marcel Duchamp’s readymade Bicycle Wheel from a design exhibition of street sports. I saw them last year at the Dongdaemun History and Culture Park and I enjoyed their play on the idea. However, the best tribute to Bicycle Wheel that I have seen was by Sean Gladwell.