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Tag Archives: Daniel Lynch

Finishing Sculptures of Melbourne

I should write something like “I am pleased to announce the publication of my book, Sculptures of Melbourne” except that I’ve been too busy to think about how I feel. I have been working on the book for a long time, I started a couple years ago and now it is being printed. It still doesn’t seem real yet. All I seem to remember is the harrowing, nightmarish parts and not the enjoyable moments. I really enjoyed interviewing all the sculptors; Peter Corlett, Louis Laumen, Daniel Lynch and Bruce Armstrong. There were surprise encounters with CDH and Stuart Ringholt and the enjoyment of research but that was a long time ago now.

Sculptures of Melbourne cover photo by Matto Lucas

Sculptures of Melbourne cover photo by Matto Lucas

Sculptures of Melbourne is published by Melbourne Books in late April. It is hardback with 224 pages and colour photography throughout the book and there is more information about the book on my new page Sculptures of Melbourne. It is currently being printed in Singapore.

Over the past months I have been finishing up work on my book, Sculptures of Melbourne; doing the photo captions, index, the order of photos and starting publicity. Following what seems to be an obscure rule of nature and due to various unforeseen delays this has been happening at the same time as the carpenter gets around to building the bullnose verandah on the front of my house and it all corresponded with my fiftieth birthday. Fifty appears to be the next most important date after twenty-one and all my friends are having big fiftieth birthday parties. So sometimes I have been I up a ladder painting of the new verandah, sometimes I have been at the computer looking at PDF versions of the book and sometimes I have been partying.

Doing the index was interesting because I realised how different this book from most other art books. Index terms include: health and safety, football and the MCG. This is because it is about the interaction between the public and art, something that public sculptures are perfect to demonstrate. When I finished the index I went back to painting the verandah before the bullnose corrugated iron roof went on.

Then there is publicity for the book because finishing the book is not the end of my work on the book. On the day of my first meeting with Rita Dimasi, the publicist at Melbourne Books the builder has dropped off the fretwork for the verandah, more painting to do. Lots to do for the publicity like this blog post, the static page about the book, working social media and emailing various people. Where has been the subject of many discussions and emails but I can now confirm that it will be on Friday May 1 at 6-8pm at Gallery One Three in Somerset Place, Melbourne, see the Facebook event page for the launch for more details.

This has been exhausting but fortunately I still have some blog posts in reserve. Having reserve blog posts is important for any blogger who wants to post regularly even when they are busy with other projects.

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Warehouse vs ARI

Daniel Lynch posted on Facebook today. “If you have ever been helped out by the warehouse. If u ever crashed there while u found your way. If u ever painted the walls. If you shot a film here or even just came to party, well come hang out today. I got a garage sale all day and I will be working around the place ripping the old beast down.”

Will Coles, cellphone flower, wall of Good Times Studios

Will Coles, cellphone flower, wall of Good Things Studios

I was looking at Facebook as I was thinking about how to reply to an email from an artist about volunteering at 69 Smith Street. The combination started me thinking about arts warehouses vs ARI; so instead of going to hang out one last time as Daniel ripped the studio walls down I thought that I’d write a blog post. I’d been to Good Things Studio on Coco Jackson Lane in Brunswick a couple of times for various reasons since Daniel established it in 2011. (In a 2012 post I call it Coco Jackson Studios I don’t know if it has changed its name or I just misnamed it with its address.)

There are some important art warehouses in Melbourne arts scene: Irene’s Community Arts Warehouse (where I first met some of the Indonesian artists involved in Taring Padi) and Blender Studios.

So how does this compare to ARI? ARI (artist run spaces) emerged in the 1980s; in 1982 Roar Studios in Fitzroy was Melbourne’s first ARI. Aiming to be bridge between the art school and major art galleries, ARI’s became part of the institution of art exhibiting. They look the same as the major galleries only the white walled spaces are smaller. But perhaps they have run their course especially as exhibiting in a gallery space is no longer essential to contemporary art and when even commercial galleries are opening what they call “project space” or dropping the word “gallery” from their name.

Warehouses combining artists studios and other events have been around since the 1990s. Warehouse parties, Warhol’s Factory and the old mystique of the artist’s studio all contribute to the warehouse vibe. The flexible warehouse space provides better matches contemporary art that might be seen on the street or a site-specific location. It allows for both artists who exhibit in galleries and those who don’t. It mixes the arts; musicians, film-makers and visual artists mixed at Good Things Studio. The community of artists working at the warehouse has a more direct influence on the work of the artist’s involved than the opportunity to exhibit.

For a young or emerging artist in Melbourne establishing an arts warehouse is more artistically significant than establishing an ARI.


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