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Tag Archives: David Russell

Makatron’s Book

Mike Makatron In Ten Cities (Trojan Press, 2015)

I read Makatron’s book, if “read” is the right word for book that is primarily photographs, over a pub lunch and two pints of cider. It is a good over-view of his work in Melbourne and around the world.

I have been looking at Makatron’s work in Melbourne’s walls for the last decade and it is easy to see why his work is popular. He mostly paints animals but there is more to his work that just reproducing a photograph in aerosol paint. Makatron’s animals are often distorted surreal creatures, giant animals with buildings on their backs, decomposing fish or stranger creations. The book doesn’t show all his work but it is a fair representation and not just a greatest hits; there are tags, straight letters and photographs of works in progress.

The text is not indulgent or boasting, fun, modest and reasonably informative although limited and containing way too many puns.

How to present the man behind the paint is a problem given that we are not going to get a photographs of Makatron’s face for legal reasons, although there are a few masked versions. There is a bit of autobiography at the end of the book. A born risk-taker Makatron was working as bicycle courier in NYC on 9/11; something that gets a random page of photographs in the middle of the book and is mentioned again at the end.

Although the structure of the book is not irritating or terrible it could be better than the almost random approach. An editor’s view could have made this book so much better than chaotic travels in time and space.

As a photo-books, street art and graffiti don’t make for great photographs; a wall square on in good lighting is the standard format, photographing street art is often more documentation than photography. John Tsialos is credited as the principle photographer but there are others including David Russell (see my post on his street art photography that brings the streetscape into focus).

I borrowed this book from Moreland Library. Like me, Makatron will have received his library lending rights money for this month for all the times that his book has been borrowed this year. Yes, authors do get paid when their book is borrowed. So go and borrow Makatron’s book (and my book Sculptures of Melbourne) from your local library.

Here are some of my photographs of Makatron’s work in Melbourne.


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David Russell’s Street Photography

On Friday 13th of November at Blender Studio there was 32K, a one night only exhibition of David Russell’s photography.

David Russell's photograph

Russell’s first exhibition took his photography beyond simply documenting street art and graffiti to making his own art. Adopting the attitude of graffiti writers to the urban environment; the trains, getting up high and exploring the urban environment. Only Russell is using a camera rather than a spray can and painting with light and darkness. The photographs have the same chromatic intensity of aerosol paint. Not all of photographs had graffiti in it, three photographs at Flinders Street Station did not have even a sticker or tag in them but still had that attitude.

The exhibition brought out many people notable in Melbourne’s street art scene to support Russell. One wall of Blender Studio was covered with a wallpaper print produced by GT Sewell’s new business. Dean Sunshine supplied Mexican beers for the event. For although this was Russell’s first photography exhibition he is already highly respected in the scene.

Andrew King and David Russell

Andrew King and David Russell

Years ago when Facter first mentioned David Russell he said something like: “He looks like a cop; he isn’t, I’ve checked him out.” Graffiti writers and street artists have every reason to be suspicious of this short haired man with a big camera who was always hanging around watching them paint. Was he an undercover cop gathering evidence?

There are many photographer capturing the Melbourne’s street art and graffiti scene. I’ve done a bit of that myself and this is how it started for David Russell. However Russell was not just another photographer snapping shots of Melbourne’s walls. He was devoted to it, he was always there with his camera for as long as necessary. He was there for days in 2014 photographing Adnate paint his mural in Hosier Lane. This dedication led to Russell doing a long running series of monthly posting on Invurt blog; Through the Lens. His knowledge of the artists and scene lead to him to become more involved with various projects and doing street art tours.


PaintUp!

For the last two days Adnate, from Melbourne’s AWOL crew has been up in the heavens painting on the rear wall of McDonald House that faces in Hosier Lane. Adnate will be up there painting for a few more days to come.

McDonald House (no relation to fat food empire) is a seven story building built in the Chicagoesque style. It was originally built in 1921 as warehouse but has since been converted to offices. The wall overlooking the lane has not been painted before because it has been too high and inaccessible.

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The current painting was made possible because the cement rendering on the wall of the building was being repaired and the scaffold had to be installed. Adnate’s giant piece was commissioned by local community association Hosier Inc. and funded by the City of Melbourne’s annual arts grant program. Hosier Inc. say that is the first instalment in a series of major artworks for the lane.

Ink & Clag in Hosier Lane

Ink & Clog in Hosier Lane

Down below in the lane the tourists come, take photos and go. At the Flinders Street corner a notice that the Ink & Clog, a crew from Singapore has been painting. (I’ve had a long interest in Singapore Graffiti). Near the Flinders Lane end two guys, both named Dave, are sitting on stacks of milk crates watching Adnate paint. One of the Dave’s is better known as Phoenix, whose paste-ups can be seen in Flinders Lane and other places around Melbourne. The other Dave is David Russell who is photographs Melbourne’s street art scene and whose photographs are regularly seen on Invurt. The location was a difficult one to photograph and David Russell was preparing to go up on top of various buildings around the lane to get photographs of Adnate’s progress.

Melbourne is now following the example of many European and South American street art of very large legal murals to bring art and colour to a giant run-down and drab wall. I can’t tell how Adnate’s mural will look when it is finished, hopefully it will be as good as the face that he did in an earlier piece with the rest of the AWOL crew in Fitzroy.

AWOL Gertrude Street

Adnate with the AWOL crew, Gertrude Street


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