I haven’t seen an exhibition of art toys for almost a decade, not since 2010. This year there have been two; the second one, This is Not a Toy Scene, opened last night at B-Side Gallery in Fitzroy.
It was an impressive group show with almost a dozen artists showing their toys, or should they be described as limited edition objet d’art? Perhaps the word ‘toy’ is more of reference to diminutive size, as in ‘toy poodles’, rather than use for play. Miniature polychromatic sculptures many in their own bubble packaging that imitated the commercial versions faultlessly.
Although many of the toys reflect a nostalgia for childhood there was more art than that sentiment and collectability in the exhibition. Cepholopede had some most immediate pop cultural references (egg boy, the milk-crate) by that I have seen in any show in a long time. There were some works that questioned copyright issues (not mentioning any names there). And some hard-core surrealistic work by Wendy Olsen.
There is still some cross-over between Melbourne’s street art scene and exhibitions of toys. I remember seeing the work of Phibs, Deb, and Junior in Villain’s ‘Munny show’ of customisable toys figures (see my post).
I knew that ADi and Facter have been making toys for years but I didn’t know about Russkid’s dragsters 3D doodles. Facter’s Irikanii Corps figures have the same colours as his work on the street and ADi’s toys (featured in earlier exhibitions) riff on Star Wars abstracting the characters to a minimal. Facter says that he now prefers making toys to painting on the streets because he can finish more.
If art toys are not really a happening scene in Australia it is in Asia. GGNW (GoodGuysNeverWin) from Indonesia is now based in Melbourne and promoting the art toy scene here. He told me about the Indonesian art toy scene. There had been a public controversy that some of his toys had created because people got the idea that toys depicting child killers might be sold to children in toy shops rather than to adults at art galleries.
Earlier this year I saw that there was a limited edition toy depicting the American art critic Jerry Salz so I guess we can call this an international toy art movement.
“I like this guy!” One of the three blonde girls declared pointing at a piece by Facter. All of the girls were wearing tiny denim shorts and overall less cloth than next two people in Hosier Lane but I won’t discount their opinion for lack of clothing. I was more amazed that they liked Facter.
Facter is an old hand in Melbourne’s street art scene and amongst the most important people in the scene. He grew up with the tiny Perth graffiti scene in the 1980s (when you couldn’t spellcheck your tags). He is a nice guy and more of a writer than a graff writer; he is the editor in chief of Invurt. He is more significant as an advocate, curator and organiser, then for his painting on the street.
Facter’s pieces are robotic segmented creatures that exist somewhere between street art and aerosol graffiti; the letter form of graffiti replaced by the outline of the creature but most of the traditional aerosol elements of a piece are still there. There is a childish joy in the bright colours in his pieces and shapes. Facter also makes designer toys in this style.
That day I was exploring the Melbourne grid and although I have been doing that for years there are still parts that I haven’t seen. Hoping that just down this lane will find something beautiful or surprising. Sometimes I do but more often it will be more construction, workers smoking out or a van being unloaded. I didn’t find anything that day; last week I found Baptist Place and the work of the Night Krawler but I can’t expect to do that every time so I went back to some of the major street art locations.
That day I had already seen a couple of pieces by Facter; there were two in Croft Alley in Chinatown. Croft Alley still has plenty of fresh graffiti pieces in it, only it is so narrow that there are only a couple of walls that are easily photographed.
In Hosier Lane there was more political pieces reflecting the current political issues: the students strike against climate change inaction and the conviction of Cardinal George Pell. It is so political that Van Rudd has a prominent section of wall for his brush painted mural. I’ve forgotten who said that street art had lost its political edge.