Tag Archives: First Site

Street Art Influence

Melbourne’s street art is having an influence on art on exhibition in October at various galleries. There are powerful, fresh artists as diverse as Peter Daverington and young, emerging artist, Hayden Daniel. And Cathy Tipping’s embroided nude, on exhibition at First Site. Tipping used Photoshop for colour separation to determine different threads in the same way the stencil artists use colour separation for separate stencils.

Peter Daverington is exhibiting at Arc One Gallery. Daverington’s style combines the aesthetics of mystical geometry, Nietzsche high-altitude snowy-capped mountains, and hedonistic disco black. This could be a tacky combination in the worst possible taste but Daverington makes it look cool and elegant. His paintings are vast with dynamic geometric forms, reflective mirror planes and glacial mountain views.

The mirror planes divide the space, presenting a mirror opposite view of the same imagined geometry. The mirror is a metaphor for reflection, meditation on the infinite space that Peter Daverington depicts in his paintings. In the exhibition at Arc One Gallery a large dark shiny block in the middle of floor in the gallery reflected Daverington’s wall painting at the far end of the gallery.

The large temporary wall painting in the exhibition is an indication of Daverington’s street art roots. Peter Daverington has been involved in Melbourne’s graffiti art since the 1980s Last year Daverington’s exhibited Reflections of Hyperspace at Until Never. 

High-school student and emerging artist Hayden Daniel is exhibiting in the Sample cabinet at Platform. Splaterdash is a scatter-style exhibition. Daniel’s works in a variety of media: paintings and drawings and a pyramid of plastic creatures. Including a brush in jar of water and spray-can nozzles shows the means of Daniel’s art production. This is scattering is brought together with the main character of this exhibition – Daniel’s chicken man. Daniel previously exhibited at the Lenko Doodle Art Show at No Vacancy.

Melbourne’s street art is a dynamic creative force and will continue to have an influence on a wide variety of artists for many years.


Interiors

Beau Emmett and Carmen Reid “Semi Detached” at First Site is an excellent exhibition. The familiar domestic objects and fixtures used in this exhibition are made uncanny rearranged with a playful logic that places carpets on the ceiling and plumbing in chairs. It is creates a new curious world of improvised scrounged materials. The materials have been detached from their original setting and reassembled to create new structures.

There are some impressive sculptural work, “architectural fragments” as Emmett and Reid call them, and some wonderful small works, mostly involving plumbing or wiring. There is a great cone of house bricks, an old door and door-jam (the door has carefully curved in an arc and is unable to shut), a bed in a box under a pile of earth, two chairs that have been plumbed with taps, and much more. Most with a wonderful worn aesthetic and the nostalgia of early 20th domestic materials. Some of the works didn’t work as well as the others. I thought that the carved wooden hammer and bent nails were too arty and new, compared to all the other materials used. But these are minor quibbles about an exhibition that on the whole is great fun.

The exhibition uses ambience the basement of Story Hall at RMIT as a feature and the subdued lighting highlights the architecture. Some of the features are as quirky as the objects on exhibition, especially the stairway that goes nowhere. Other features contributed to the exhibition as the ventilation caused the carpet squares to flap eerily.

Upstairs at RMIT Gallery German artists (with a lot more profile and money and bigger studios than Emmett and Reid) are doing similar sculptural art with domestic interiors. “Come-in” is an international touring exhibition showing “interior design as a contemporary art medium in Germany”. This exhibition demonstrates that Emmett and Reid’s art is in tune with contemporary European art trends and have a comparable quality. Seen together these two exhibition make excellent pair of contemporary sculpture.


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