I was thinking about writing a series of blog post about the tangible art of games, the board and pieces used in play. The art associated with games; painted models, artwork in games and cosplay. The intersection of art and gaming culture is on the rarely examined edge of visual arts apart from when an exhibition of video games comes to ACMI to remind the public. (I have written about games before see my post on De Blob video game that hardly anyone has read.)
Then I learnt that David A. Trampier had died; if you have played AD&D then you will be familiar with his illustrations.
I emailed Mark Morrison, he was my first AD&D DM and now works in the games industry writing and teaching about designing games. I also told Mark Morrison about Sword & Dowkery’s blog post on Bruegel’s The Triumph of Death and lead/tin miniature figures based on the skeleton party in the painting.
When we were teenagers we used to paint the 25mm white metal figures. White metal, is a lead/tin alloy; little lead figures goes back to the ancient Romans but there are health concerns about them now. Skeletons were easy to paint, black in the shadows and white highlights on the bones. The quality of the model figures were amazing and the best of these figures were made by Citadel Miniatures in England. There are plenty of notes to the history of these tiny sculptures, known as miniatures.
Some notable sculptors have made dioramas with model figures, the Chapman Brothers, and closer to home, Daniel Dorell, among many contemporary artists. Web Gilbert and Leslie Bowles, who were both familiar with making much larger war memorials, made dioramas for the Australian War Memorial in Canberra; Web Gilbert did the Mathew Flinders memorial near Flinders Street and Bowles made the General Monash Memorial in Kings Domain, Melbourne. Frank Lynch and Wallace Anderson are two more sculptors who also made dioramas for the Australian War Memorial.
The ancient greeks had professional painters who specialised in painting sculptures to give it a life-like appearance. Painting the figures, background and models for the War Memorial dioramas went to another set of artists; Louis McCubbin did the original painting but they have since been retouched and repainted by other artists.
These war dioramas can be controversial; Peter Hofschröer, Wellington’s Smallest Victory (Faber and Faber, London, 2004) is a small book about a small matter of Napoleonic war history. Hofschröer’s detailed research into the Wellington’s insistence on an alteration to Lieutenant Siborn’s Large Waterlooo Model makes his book an exciting read. Siborn’s Large Waterlooo Model is 400 square feet and has hand painted 75,000 10mm white metal figures.
So to all the people painting readymade cast figures, to all my readers with Warhammer armies; remember that you are still doing what can legitimately be called art.