To ‘buff’ is to paint a wall to remove the graffiti or to prepare it for another piece of graffiti. But sometimes the results of buffing can be strange.
Buffing comes in several styles: colour field, hard edge abstract and more abstract expressionist. Colour fields require the complete buffing of a wall to a single colour. Hard edge abstract art is created by the repeated buffing of parts of a wall in different shades paint. The more abstract expressionist style follows the graffiti covering but not eliminating the form.
Buffing is not the natural enemy of graffiti and is often an ally of street art. People will buff around the stencils and paste-ups to preserve them in Melbourne. People like Baby Gorilla or Be Free enough to avoid destroying them. Then there was the Christian buffing around a crucifix in Coburg. I love it when an artist alters buffing to make something of it.
There were a couple of strange buffing incidents in 2016. Australian artist Scott Marsh was paid to paint over his six-metre-tall mural of Kanye West kissing Kanye West. Reportedly it was Kanye’s management that paid Marsh $100,000 to buff it. Also in 2016, but kind-of the opposite to Marsh’s pay to buff, when Bologna street artist, Blu buffed everything he ever did to prevent the mayor of Bologna from exploiting it.
Meanwhile, an a fence in Coburg someone fights back against graffiti with paint. As effective a strategy as any but this has now been overgrown with vegetation; if you really want to prevent graffiti vegetation and not buffing is the solution.