Tag Archives: graffiti

Making Hosier Lane Safe For Tourists

The new outdoor seating for the Hosier Lane restaurants has taken over Rutledge Lane for COVID safe dinning. (At the moment there is mostly intra-city tourism and the crowds of international tourists are absent.) This included repainting the walls with a rather bland, family-friendly theme of Disney’s Alice in Wonderland.

How delightfully boho is it?

Over a decade ago, these much-misinterpreted words were stencilled on 167 Flinders Lane’s rear wall in Rutledge Lane. I will not explain the legally correct interpretation of those words, but the effect of their misinterpretation. Their misinterpretation created a street art zone in Melbourne’s centre and one of the city’s top tourist attractions.

The words spelt out an application for “a retrospective Street Art Permit”. “The City of Melbourne acknowledges that public spaces provide a gallery and stage for artistic expression and approve permits for street art with the building owners permission. Legal street art contributes to a vibrant urban environment and can change continually on a day to day to basis.” The text finally noted, “The artwork may evolve over time.”

Overtime many layers of both authorised and unauthorised paint have been sprayed over those words and whole laneway. It has been painted Empty Nursery Blue and buffed black, in preparation for Melbourne Now. In places, the enamel paint is half a centimetre thick.

Art performs many functions, even paradoxically one function as to be functionless and excessive. Another is to overturn rules and conventions, the lords of misrule with a child’s eyes. That is where the notorious fire extinguisher filled with paint protest performance of February 2020 has to be looked at again.

“Melbourne’s Hosier Lane street art, graffiti, painted over in weekend ‘vandalism’ attack”, ABC News

Making the lane safe for tourism and families includes increased shopping, eating and photo opportunities for tourists. And these presents risks to others using the lane: the artists, the homeless, the homeless artists…

Is Hosier Lane a libertarian paint zone free to exploit for profit? Or is Hosier Lane an anarchic paint zone where freely given play/work contributions of graffiti and street art are welcome? These questions are at the centre of the debate about Hosier Lane’s function. They leave me contemplating two alternatives futures for the lane’s walls. Will it be bland, apolitical murals, celebrating celebrities and seasonal festivities, or the artistic unknown?

Some recent stencil art in Hosier Lane

Viki Murray’s Skateboard Riders

You wouldn’t imagine that there are many skateboard riders rolling around Lightning Ridge, but Walgett Shire boasts a skatepark. Lightning Ridge, in north-western New South Wales, is better known for opal mining. So I was surprised to find out that Viki Murray, the artists who spray-painted stencil images of board riders surfing the gnarly curves of the aerosol paint on Melbourne walls, lives in Lightning Ridge.

Skateboard culture is like hip-hop’s brother-in-law from the outer suburbs; it is married to graffiti even if it is not related. It is a stable relationship that has lasted decades which Viki Murray’s skateboarders only emphasis.

Murray’s multilayer stencilled or paste-up images are painted in a subdued palette of grey tones. I like their small size and the way that they blend into the graffiti. They don’t fill a wall like so much of current street art. They are not obvious from 100 metres, or even 10 metres away. They’re cool, like the skateboarders, who find an empty space to use.

Street art has often looked at placement but rarely have they rode the dynamic lines of aerosol graffiti. Murray’s riders inhabit the illusionary space of the paint. Cruising the clouds of colour found in these readymade psychedelic landscapes.

Even the random marker writer in a psychotic frenzy of scribomania in Hosier Lane respected Murray’s work adding “King Dude” and a crown. 

It is a long way between Melbourne and Lightning Ridge, days of driving but Viki Murray and her husband John ‘Mort’ Murray, who paints murals and has a gallery in Lightning Ridge, have done it several times. Unless there is someone else who has been adding skateboard riders to graffiti, Murray’s riders have been surfing the graffiti lines in Melbourne for many years. And I hope that their wheels will rumble as their roll on the paint for many more.


Lockdown Psychogeography in Coburg

Reports of various psychogeographical walks around my neighbourhood in Coburg. I don’t know how many times I’ve been around these streets during this lockdown or even what day it is. Of course, I saw some fresh street art, some other stuff and cogitated on the conundrums of Coburg’s street design. I don’t know if it is valid psychogeographical if you aren’t drunk or stoned, but I could write a book about what I don’t know.

The streets of Coburg, laid out in the nineteenth and early twentieth centuries, are a grab bag of experiments in suburban road design. Wide nature-strips, no nature strips, broad central road division with a park area dividing a street. There is a single road with the backs of houses on one side and the fronts of houses on another. There is no uniformity to even the width of the streets, one even suddenly narrowing by about half a metre at one point.

Spotted the first COVID-19 street art, a sticker, a virus grenade, I’ve seen. And more of the work of the UBM Crew; the UBM crew includes Luna who alternates between graffiti and street art. (I should write a blog post about the artists who do both street art and graffiti because there are a few; Stanley is another example. I like artists who change style because it shows that they are developing.)

In case anyone was wondering graffiti artists do paint their own fences when they can.  One aspect that is worth mentioning about street art is that it is incredibly satisfying for the amateur part-time participants. Unlike other art forms where amateurs and professionals have different venues, audiences and public awareness, they meet on the street like masked pedestrians. There are many successful, amateur, part-time artists in street art; no doubt more than any other area of visual arts. Perhaps a subject for another post.

I could write a blog post about all ideas I’ve had to write blog posts. You will know that I am getting desperate when I write one about the murals of Coburg. There is this terrible painting of Marilyn Monroe, with her skirt blowing up of course, on the side of some restaurant that I never want to see again.

Aside from street art and graffiti, what else have I seen on the suburban streets of Coburg? A few pleasant front gardens, a strange sculpture and a lot of tasteless, late-capitalist stuff. (Who was that masked man?)


Dvate’s two faces

Melbourne street artist Dvate works in two styles: one is good and the other tasteless. I prefer Dvate’s dynamic graffiti to his tame aerosol paintings of native fauna that have gone up around Moreland.

Look at Dvate’s graffiti pieces: the calligraphy of the letterforms, the super clean lines (no drips), and an eye-popping palette of colours. There is so much more energy and other unique qualities to them than his sentimental representational work. In some graffiti pieces, he uses mortar fillers to build up sections of the wall to lift the parts of his letters off the surface of the walls, for example in this piece in Rutledge Lane that was part of “All Your Walls” in 2013.

His kitsch works of sentimentalism are the contemporary equivalent of chocolate-box paintings, aesthetic garbage sold to a population that hasn’t thought about taste. Dvate has been doing graffiti and tags around Melbourne for decades, but he probably makes more money from his tasteless murals.

According to a Moreland Council tweet, they are: “reducing graffiti in #Moreland by commissioning #murals in areas with high tagging rates. Street artist Dvate has installed these stunning native Australian murals in Coburg, and 3 more murals are due to go up once Covid-19 restrictions ease.”

The strategy of reducing graffiti by commissioning murals is not new. It is the standard strategy and is one of the reasons why I dislike murals (for more reasons read my blog post Anti-Muralism). It assumes that graffiti and tags are less desirable than other images based on popular prejudices rather than any evidence.

If Moreland Council wants public art, then they should commission public art, if they want to reduce tagging, then they should hire cops or some other law enforcement device, and they should not confuse the two.


Walls in Brunswick & Coburg

Desperate to see some new art, I have searched the laneways of Brunswick and Coburg for graffiti. These northern inner-city Melbourne suburbs are old enough to have a network of granite paved laneways that make for excellent and discreet locations for painting.

I have this paint-spotting addiction that can’t be satisfied by seeing photos on the internet. I want to do two contradictory things: to get up close to the wall to see the technique and to look around at the whole location.

Often very suburban locations: the sides of garages, parks and garden walls. For, although there still are factories and warehouse in Brunswick and Coburg, they are being demolished to be replaced by high-density housing. I hoped to be able to see more graffiti revealed by demolition. However, I couldn’t many places where I could photograph anything.

There are some fantastic pieces of wildstyle graffiti overflowing with style and energy. A few old-school pieces along with bombs and tags. Love the bomb from Nong, a tag with a nod to old Australian slang for ‘stupid’.

I was intrigued by this wall in suburban Coburg that had a mix of techniques and styles. There was everything from old-school bubble letters to experiments that mix street art techniques, like stencil with aerosol graffiti. It made me think of the new possibilities.


Street Art Notes June 2020

During the lockdown I was walking different paths to the popular locations for street art and graffiti. There are walls in Coburg that are well worth a second glance, to admire the elegant form and clean technique of the writer. Many of these lanes are so narrow that it hard to get a good photo of the billboard sized pieces.

I will write it again because it bares repeating. What I admire about graffiti is that young men are talking about calligraphy and colours rather than, what I all too often had to listen to in my youth — football, cars, and Hitler. This is why I think that painting walls is a good thing and if someone does an inferno of a piece; so much the better for everyone.

When I did return to look at Hosier Lane and AC/DC Lane the street art and graffiti were still there. But they were so empty. The only reason why there was anyone besides myself in Hosier Lane was that meals for the homeless were being distributed. Still, there was some evidence that artists had been active in the area. Osno is a French artist from Dunkirk who has become stranded in Australia during the pandemic lockdown. Mr Dimples and others have sprayed some stencils (see my post on Mr Dimples). Yes, the street artist are returning to Melbourne’s lanes (not that they ever really left) but not the tourists.

Did the lockdown inspire people to create much street art? (Aside from children drawing in chalk on the sidewalks.) Some feared that there would an explosion of yarn bombing from people knitting during the lockdown but I’ve yet to see any indication of that. I came across an unfinished piece by an obviously trained artist, it had a grid of pencil lines for scaling up the image.

During my walks in Coburg I’ve photographed many street signs that have witty messages written in grease pencil on them. I’ve been informed that they are across the northern inner suburbs and from comparing the handwriting it appears to be the same person.


A decade ago in Hosier Lane

Instead of going out paint-spotting today; photographing graffiti and street art around the city I am staying home. I have been cleaning up my photo collection of graffiti and street art. The photos need to be named, tagged, filed. In the process I saw my photos of Hosier Lane and, the then adjoining, Rutledge Lane from a decade ago in 2008, 2009 and 2010.

Hosier Lane was not created so that people could sell product or attract tourists. It was a place for graffiti writers and street artists, where they could spray in the centre of city. Not that those original intentions mean anything in what it has become. So here is a photo-essay about Hosier Lane from over a decade ago when there were a lot less tourists and a bit more respect for the art.

Stormie Mills (cut off) Reko Rennie, Drew Funk and Vexta all on one wall in December 2009.

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