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Tag Archives: Jacob Oberman

Archibald Entries Media Round-up

Each year the media start to report on the arts or specifically on the merging of art and celebrity that is the Archibald Prize for a portrait of “ … some man or woman distinguished in art, letters, science or politics, painted by any artist resident in Australasia during the 12 months preceding the date fixed by the trustees for sending in the pictures”. The $75,000 prize further hypes the media’s attention.

Here is a media round-up of who has been reporting on what entries; it is more than obvious why each media choose their subject except for Athena Yenko’s report in the International Business Times on Robyn Ross’s entry of a double portrait of Christine Forster, Prime Minister Abbott’s sister and partner, Virginia Edwards in a naked embrace. Ross’s entry is is also reported in Same Same with photos.

Same Same also reports on the portrait of Shelley Argent OAM by Iain Wallace.

The Herald Sun reported on stencil artist E.L.K. or a portrait of comedian, Will Anderson in the Entertainment section.

ABC Local Golburn Murray reports on a Marijana van Zanten, plans to enter a portrait of Federal Member for Indi Cathy McGowan, who defeated Liberal incumbent Sophie Mirabella.

The North Coast’s Echo Net Daily about local artist Liesel Arden portrait of “Byron identity”, Tommy Franklin.

The Age reported on Melbourne street artist CDH portrait of anti-public advertising campaigner, Kyle Magee painted on a Streets ice-cream advertisement stolen from a bus shelter. CDH also wrote a report in Vandalog about Tame DMA entering his tag as a portrait.

Dustin Stahle entered a portrait of Film Producer/Director, Jacob Oberman and Jacob mades a two and half minute film about it.

The Guardian reports on Myuran Sukumaran’s entry self-portrait, encouraged by Ben Quilty who visited him Kerobokan jail in Bali contradicting earlier media reports that Sukumaran would not be allowed to enter. The Guardian also has a photo essay of some of the thousands of entrants.

The Archibald portrait prize about the one percent, the one percent of artist who are exhibited doing portraits of the one percent who at a stretch could be described distinguished. (Christine Forster and Myuran Sukumaran are not “distinguished in art, letters, science or politics” and even to say that about Will Anderson or Tame DMA is a bit of stretch.) There are portraits this year of John Safran, Michael Leunig, Cathy Freeman and Hugh Jackman. You don’t get to paint a portrait of Nick Cave easily, as Sydney-based artist James Powditch discovered and Katrina Lobley reports on Powditch’s entry in the Sydney Morning Herald.

The finalists will be announced on 10 July but I doubt that any of these entries, with the exception of James Powditch and E.L.K., will be finalists. The winner, to be announced at noon on the 18 July, will most likely be a self-portrait by an artist who has already won the Archibald, the judges, like the media reporting on it, generally go with what they know and is close to home.

All this media coverage is not surprising given that J.F. Archibald was a media man, the founding co-owner and editor of The Bulletin magazine. Archibald’s idea was that portraits showing the physiognomy and bearing of distinguished Australians would add to the Australian identity.

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Doyle’s Subtopia

I am acquainted with Doyle – he is a “friend” on Facebook (whatever that means). “Just call me Doyle,” he said when I first met him in 2008 and he was indispensable in organizing the Melbourne Stencil Festival but for two years – he didn’t know my name and was calling me “punk”. I didn’t care; Doyle calls everyone “punk”. A man about Melbourne’s art world, Doyle is the initiator and director of Dark Horse Experiment (formerly Michael Koro Galleries) and Blender studios in the building behind it, Melbourne Street tours and the Napier Crew. I’ve seen a couple of exhibitions of Doyles paintings, they are good paintings, combining fine art and street art techniques. (See my 2009 blog entry about Doyle’s paintings.)

Doyle – suburban house stencil – Fitzroy

When Doyle told me that he was going to be the subject of a reality TV I felt that this was typical the way that the world was going. (Would the ABC really sink so low? Yes, easily, I thought.) I saw the documentary crew following him around at an exhibition opening at Blender and rough cuts on his computer. It didn’t sound like a good idea,  – Doyle as a representative artist in a reality TV show sounded like a horrible idea. (I could think of worse, like Kevin Rudd curating the Australia’s pavilion at the Venice Biannual, but I had to put my imagination into gear, whereas, Doyle is all too real.) He comes across as a wide boy, a bit dodgy, always talking in self-obsessed but engaging manner  – “we are going to open a gallery and sell all this shit to big end of town.”

Then I heard that the director, Jacob Oberman was exposing Doyle’s idea of an artist who wants a reality TV show about him, I felt relieved. I was felt more relieved when I found out it was a two-part half-hour documentary. And after seeing the first part tonight on the ABC’s Artscape I was glad that there is a documentary that accurately captures the scene. The meat on the bone of the documentary is the art and the artists at Blender studios; the parts about Doyle and Pia Suksodsai’s relationship are a bit of a distraction and as shallow as suburbia.

Maybe Doyle still believes that it is a reality TV show; Doyle claimed on Facebook that it is “an art work in the medium of television by Adrian Doyle” and that it is “created by Adrian Doyle, Jacob Oberman, Piya Suksodsai,
Renegade Films, and ABC”.

“You’re making a documentary; we’re making a reality TV show.” Doyle says to the camera. I know which one I’d prefer to watch. (For those of you who want the reality TV version since the filming of the documentary Doyle has become engaged to Pia Suksodsai.)


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